Understanding alternative media / Olga Guedes Bailey 

Public ISBD Titre : Understanding alternative media Type de document : texte imprimé Auteurs : Olga Guedes Bailey, Auteur Editeur : Maidenhead [England] : Open University Press Année de publication : 2008 Collection : Issues in cultural and media studies Importance : 196 p. Format : 22,5 cm ISBN/ISSN/EAN : 978-0-335-22210-0 Prix : 18,99-€ Langues : Anglais Catégories : MEDIAS Tags : médias  information  journalisme  blog  forum  communication  internet Index. décimale : 302.2 Communication Résumé : Sur le site http://www.lse.ac.uk/collections/pressAndInformationOffice/publications/books/2007 "From blogs, flyers, fanzines and neighbourhood newspapers, to podcasts, streaming clips on YouTube and My Space and community radio and TV, we live in a world where we can access a huge source and range of alternative media. They provide an opportunity for ordinary people to air different perspectives, complementary discourses and ideologies to those presented in mainstream media; a platform for citizens to participate in public spaces and exercise their right to communicate. Understanding Alternative Media provides the reader with a comprehensive overview of how the field of alternative media can be theorized. Combing diverse case studies from countries including the UK, Belgium, North America and Brazil, which emphasize the different approaches and interconnections, the authors thus propose an original multi-theoretical framework to help understand the subject. Looking at both old and new media, the book argues for the importance of alternative media and suggests a political agenda as a way of broadening its scope." Sur le site http://www.mcgraw-hill.co.uk : "What are alternative media? What roles do alternative media play in pluralistic, democratic societies? What are the similarities and differences between alternative media, community media, civil society media and rhizomatic media? How do alternative media work in practice? This clear and concise text offers a one-stop guide through the complex political, social and economic debates that surround alternative media and provides a fresh and insightful look at the renewed importance of this form of communication. Combing diverse case studies from countries including the UK, North America and Brazil, the authors propose an original theoretical framework to help understand the subject. Looking at both `old? and `new? media, the book argues for the importance of an alternative media and suggests a political agenda as a way of broadening its scope. Understanding Alternative Media is valuable reading for students in media, journalism and communications studies, researchers, academics, and journalists." Note de contenu : Introduction Part I ? Theorizing alternative media Four approaches to alternative media An introductory case study ? Radio Favela: Representing alternative media Part II ? The case studies Community approaches in Western radio policies Diasporas and alternative media practices Blogs in the second Iraqi war: Alternative media challenging the mainstream? Ethnic-religious groups and alternative journalism Online participation and the Public Sphere: Civil society mailinglists and forums The Brazilian Landless Rural Workers Movement : Identity, action, and communication Translocalization, glocalization and the internet: The RadioSwap-project Jamming the political: reverse-engineering, hacking the dominant codes Conclusion En ligne : http://www.mcgraw-hill.co.uk Understanding alternative media [texte imprimé] / Olga Guedes Bailey, Auteur . - Maidenhead (Mac Graw Hill Education, Shoppenhangers Road, England) : Open University Press, 2008 . - 196 p. ; 22,5 cm. - (Issues in cultural and media studies) . ISBN : 978-0-335-22210-0 : 18,99-€ Langues : Anglais Catégories : MEDIAS Tags : médias  information  journalisme  blog  forum  communication  internet Index. décimale : 302.2 Communication Résumé : Sur le site http://www.lse.ac.uk/collections/pressAndInformationOffice/publications/books/2007 "From blogs, flyers, fanzines and neighbourhood newspapers, to podcasts, streaming clips on YouTube and My Space and community radio and TV, we live in a world where we can access a huge source and range of alternative media. They provide an opportunity for ordinary people to air different perspectives, complementary discourses and ideologies to those presented in mainstream media; a platform for citizens to participate in public spaces and exercise their right to communicate. Understanding Alternative Media provides the reader with a comprehensive overview of how the field of alternative media can be theorized. Combing diverse case studies from countries including the UK, Belgium, North America and Brazil, which emphasize the different approaches and interconnections, the authors thus propose an original multi-theoretical framework to help understand the subject. Looking at both old and new media, the book argues for the importance of alternative media and suggests a political agenda as a way of broadening its scope." Sur le site http://www.mcgraw-hill.co.uk : "What are alternative media? What roles do alternative media play in pluralistic, democratic societies? What are the similarities and differences between alternative media, community media, civil society media and rhizomatic media? How do alternative media work in practice? This clear and concise text offers a one-stop guide through the complex political, social and economic debates that surround alternative media and provides a fresh and insightful look at the renewed importance of this form of communication. Combing diverse case studies from countries including the UK, North America and Brazil, the authors propose an original theoretical framework to help understand the subject. Looking at both `old? and `new? media, the book argues for the importance of an alternative media and suggests a political agenda as a way of broadening its scope. Understanding Alternative Media is valuable reading for students in media, journalism and communications studies, researchers, academics, and journalists." Note de contenu : Introduction Part I ? Theorizing alternative media Four approaches to alternative media An introductory case study ? Radio Favela: Representing alternative media Part II ? The case studies Community approaches in Western radio policies Diasporas and alternative media practices Blogs in the second Iraqi war: Alternative media challenging the mainstream? Ethnic-religious groups and alternative journalism Online participation and the Public Sphere: Civil society mailinglists and forums The Brazilian Landless Rural Workers Movement : Identity, action, and communication Translocalization, glocalization and the internet: The RadioSwap-project Jamming the political: reverse-engineering, hacking the dominant codes Conclusion En ligne : http://www.mcgraw-hill.co.uk

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Rethinking documentary - New perspectives, new practices / Thomas Austin

Public ISBD Titre : Rethinking documentary - New perspectives, new practices Type de document : texte imprimé Auteurs : Thomas Austin, Editeur scientifique ; Wilma de Jong, Editeur scientifique Editeur : Maidenhead [England] : Open University Press Année de publication : 2008 Importance : x, 358 p. Format : 24cm ISBN/ISSN/EAN : 978-0-335-22191-2 Langues : Français Catégories : MEDIAS:AUDIOVISUEL: TELEVISION: Programmes / Contenu Tags : contenu  documentaire  télévision  audience  public  télé-réalité  format Index. décimale : 302.234 Cinéma, radio, télévision (média) Résumé : RESUME PROPOSE PAR L'EDITEUR (4è p. couverture) : From a boom in theatrical features to footage posted on websites such as YouTube and Google Video, the early years of the 21st century have witnessed significant changes in the technological, commercial, aesthetic, political, and social dimensions of documentaries on film, television and the web. In response to these rapid developments, this book rethinks the notion of documentary, in terms of theory, practice and object/s of study.Drawing together 26 original essays from scholars and practitioners, it critically assesses ideas and constructions of documentary and, where necessary, proposes new tools and arguments with which to examine this complex and shifting terrain. Covering a range of media output, the book is divided into four sections: critical perspectives on documentary forms and concepts; the changing faces of documentary production; contemporary documentary - borders, neighbours and disputed territories; and, digital and online documentaries - opportunities and limitations. "Rethinking Documentary" is valuable reading for scholars and students working in documentary theory and practice, film studies, and media studies Note de contenu : TABLE DES MATIERES : PART 1: Critical perspectives on documentary forms and concepts 'Documentary studies': dimensions of continuity and transition by John Corner The question of evidence, the power of rhetoric and documentary film by Bill Nichols First-person films: some theses on self-inscription by Michael Renov 'To leave the confinements of his humanness': authorial voice, death and constructions of nature in Werner Herzog's Grizzly Man by Thomas Austin Collective subjectivity in The Children of Golzow vs. alienation in 'western' interview documentary by Silke Panse Documentary as critical and creative research by Mike Wayne Reframing ethnographic film by Paul Basu Transcendental realism in documentary by Erik Knudsen Filming the 'invisible' by Michael Chanan PART 2: The changing faces of documentary production Developing and producing a feature documentary: the case of Deep Water by Wilma de Jong Filmmakers and their subjects by Jerry Rothwell From eight-man crew to one-woman band: my life in television by Marilyn Gaunt 'You want to know that, this is real, this is what happened': an interview with John Smithson by Wilma de Jong and Thomas Austin 'The idea that there's a "truth" that you discover is like chasing the end of a rainbow': an interview with Ralph Lee Wilma de Jong Rice N Peas: alternative, independent and provocative by Ishmahil Blagrove, Jr 'The importance of memory': an interview with Ai Xiaoming by Sue Thornham PART 3: Contemporary documentary: borders, neighbours and disputed territories Drama-documentary, ethics and notions of performance: the 'flight 93' films by Paul Ward Mockumentary: a call to play by Craig Hight Documentary modes of engagement by Annette Hill 'Ask the fastidious woman from Surbiton to hand-wash the underpants of the aging Oldham Skinhead...': Why not Wife Swap? by Su Holmes and Deborah Jermyn Simulating the public sphere by Jon Dovey The work of work: reality TV and the negotiation of neoliberal labour in The Apprentice by Nick Couldry and Jo Littler PART 4: Digital and online documentaries: opportunities and limitations Documentary viewing platforms by Ana Vicente Online documentary by Danny Birchall Public domains: engaging Iraq through experimental documentary digitalities by Patricia R. Zimmermann Documentary on YouTube: the failure of the direct cinema of the slogan by Alexandra Juhasz Rethinking documentary - New perspectives, new practices [texte imprimé] / Thomas Austin, Editeur scientifique ; Wilma de Jong, Editeur scientifique . - Maidenhead (Mac Graw Hill Education, Shoppenhangers Road, England) : Open University Press, 2008 . - x, 358 p. ; 24cm. ISBN : 978-0-335-22191-2 Langues : Français Catégories : MEDIAS:AUDIOVISUEL: TELEVISION: Programmes / Contenu Tags : contenu  documentaire  télévision  audience  public  télé-réalité  format Index. décimale : 302.234 Cinéma, radio, télévision (média) Résumé : RESUME PROPOSE PAR L'EDITEUR (4è p. couverture) : From a boom in theatrical features to footage posted on websites such as YouTube and Google Video, the early years of the 21st century have witnessed significant changes in the technological, commercial, aesthetic, political, and social dimensions of documentaries on film, television and the web. In response to these rapid developments, this book rethinks the notion of documentary, in terms of theory, practice and object/s of study.Drawing together 26 original essays from scholars and practitioners, it critically assesses ideas and constructions of documentary and, where necessary, proposes new tools and arguments with which to examine this complex and shifting terrain. Covering a range of media output, the book is divided into four sections: critical perspectives on documentary forms and concepts; the changing faces of documentary production; contemporary documentary - borders, neighbours and disputed territories; and, digital and online documentaries - opportunities and limitations. "Rethinking Documentary" is valuable reading for scholars and students working in documentary theory and practice, film studies, and media studies Note de contenu : TABLE DES MATIERES : PART 1: Critical perspectives on documentary forms and concepts 'Documentary studies': dimensions of continuity and transition by John Corner The question of evidence, the power of rhetoric and documentary film by Bill Nichols First-person films: some theses on self-inscription by Michael Renov 'To leave the confinements of his humanness': authorial voice, death and constructions of nature in Werner Herzog's Grizzly Man by Thomas Austin Collective subjectivity in The Children of Golzow vs. alienation in 'western' interview documentary by Silke Panse Documentary as critical and creative research by Mike Wayne Reframing ethnographic film by Paul Basu Transcendental realism in documentary by Erik Knudsen Filming the 'invisible' by Michael Chanan PART 2: The changing faces of documentary production Developing and producing a feature documentary: the case of Deep Water by Wilma de Jong Filmmakers and their subjects by Jerry Rothwell From eight-man crew to one-woman band: my life in television by Marilyn Gaunt 'You want to know that, this is real, this is what happened': an interview with John Smithson by Wilma de Jong and Thomas Austin 'The idea that there's a "truth" that you discover is like chasing the end of a rainbow': an interview with Ralph Lee Wilma de Jong Rice N Peas: alternative, independent and provocative by Ishmahil Blagrove, Jr 'The importance of memory': an interview with Ai Xiaoming by Sue Thornham PART 3: Contemporary documentary: borders, neighbours and disputed territories Drama-documentary, ethics and notions of performance: the 'flight 93' films by Paul Ward Mockumentary: a call to play by Craig Hight Documentary modes of engagement by Annette Hill 'Ask the fastidious woman from Surbiton to hand-wash the underpants of the aging Oldham Skinhead...': Why not Wife Swap? by Su Holmes and Deborah Jermyn Simulating the public sphere by Jon Dovey The work of work: reality TV and the negotiation of neoliberal labour in The Apprentice by Nick Couldry and Jo Littler PART 4: Digital and online documentaries: opportunities and limitations Documentary viewing platforms by Ana Vicente Online documentary by Danny Birchall Public domains: engaging Iraq through experimental documentary digitalities by Patricia R. Zimmermann Documentary on YouTube: the failure of the direct cinema of the slogan by Alexandra Juhasz

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