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Obligations on on-demand audiovisual media services providers to financially contribute to the production of European works : An analysis of European Member States' practices / Karen Donders
Titre : Obligations on on-demand audiovisual media services providers to financially contribute to the production of European works : An analysis of European Member States' practices Type de document : document électronique Auteurs : Karen Donders, Auteur ; Tim Raats, Auteur ; Marlen Komorowski, Auteur ; Ivana Kostovska, Auteur ; Stéphanie Tintel, Auteur ; Iordache Iordache, Auteur Année de publication : 2019 Langues : Anglais Catégories : MEDIAS
MEDIAS:AUDIOVISUEL
MEDIAS:AUDIOVISUEL:NUMERIQUE: Aspect économiqueTags : plateforme EPRA Europe quota économie étude Résumé : "The Free University of Brussels (Université libre de Bruxelles) published in December 2018 a study on the Obligations on on-demand audiovisual media services providers to financially contribute to the production of European works”. The report (available in English) was commissioned by the Administration for Culture, Youth, Sports and Media of the Flemish Government and is authored by an academic team led by Prof. Dr. Karen Donders.
In addition to clarifying the rules that already existed for obligations for on-demand AVMS providers to contribute financially to the production of European works, the revised Audiovisual Media Services Directive allows Member States to impose investment obligations to media services providers established in a different Member State, but targeting the audience of the Member State imposing the obligation. Against this backdrop, the report provides a timely overview of the existing approaches of European Member States with regard to the imposition of investment obligations for on-demand audiovisual media services providers (both domestic and foreign).
The research provides case studies on the nine EU countries which impose financial obligations on the providers of on-demand audiovisual media services: Belgium (both communities), Croatia, the Czech Republic, France, Germany, Italy, Portugal, Spain and Slovenia. However, it is worth noting that - so far - only France and Germany, and from 2019, the Flemish Community of Belgium, Italy and Denmark have developed obligations for non-domestic providers of on-demand audiovisual media services."
Source : ,https://www.epra.org/news_items/financial-obligations-of-on-demand-avms-providers-study-on-the-eu-member-states-practices (Consulté le 29/01/2019)En ligne : https://www.epra.org/news_items/financial-obligations-of-on-demand-avms-provider [...] Obligations on on-demand audiovisual media services providers to financially contribute to the production of European works : An analysis of European Member States' practices [document électronique] / Karen Donders, Auteur ; Tim Raats, Auteur ; Marlen Komorowski, Auteur ; Ivana Kostovska, Auteur ; Stéphanie Tintel, Auteur ; Iordache Iordache, Auteur . - 2019.
Langues : Anglais
Catégories : MEDIAS
MEDIAS:AUDIOVISUEL
MEDIAS:AUDIOVISUEL:NUMERIQUE: Aspect économiqueTags : plateforme EPRA Europe quota économie étude Résumé : "The Free University of Brussels (Université libre de Bruxelles) published in December 2018 a study on the Obligations on on-demand audiovisual media services providers to financially contribute to the production of European works”. The report (available in English) was commissioned by the Administration for Culture, Youth, Sports and Media of the Flemish Government and is authored by an academic team led by Prof. Dr. Karen Donders.
In addition to clarifying the rules that already existed for obligations for on-demand AVMS providers to contribute financially to the production of European works, the revised Audiovisual Media Services Directive allows Member States to impose investment obligations to media services providers established in a different Member State, but targeting the audience of the Member State imposing the obligation. Against this backdrop, the report provides a timely overview of the existing approaches of European Member States with regard to the imposition of investment obligations for on-demand audiovisual media services providers (both domestic and foreign).
The research provides case studies on the nine EU countries which impose financial obligations on the providers of on-demand audiovisual media services: Belgium (both communities), Croatia, the Czech Republic, France, Germany, Italy, Portugal, Spain and Slovenia. However, it is worth noting that - so far - only France and Germany, and from 2019, the Flemish Community of Belgium, Italy and Denmark have developed obligations for non-domestic providers of on-demand audiovisual media services."
Source : ,https://www.epra.org/news_items/financial-obligations-of-on-demand-avms-providers-study-on-the-eu-member-states-practices (Consulté le 29/01/2019)En ligne : https://www.epra.org/news_items/financial-obligations-of-on-demand-avms-provider [...] Sustaining local audiovisual ecosystems : Analysis of financing and production of domestic TV fiction in small media markets / Tim Raats in Journal of popular television, 4 -1 ([02/01/2016])
[article]
Titre : Sustaining local audiovisual ecosystems : Analysis of financing and production of domestic TV fiction in small media markets Type de document : document électronique Auteurs : Tim Raats, Auteur ; Tom Evens, Auteur ; Sanne Ruelens, Auteur Année de publication : 2016 Article en page(s) : pp. 129-147 Langues : Anglais Tags : médias de masse recherche télévision aspect socio-culturel documentaire fiction financement séries Flandres Résumé : "Various trends, both technological and economic in nature, have led to a shift in the financing and production of serial television fiction (principally television drama and episodic comedy), resulting in pressure on existing financing of TV fiction. These pressures prove especially difficult for small nations and regions, being characterized by restricted markets, a limited number of active players, and barriers for export and scale. For media policy-makers, these transitions invoke a series of new challenges to sustain existing audio-visual ecosystems. Based on a case study of TV fiction in Flanders, and presenting evidence from a financial analysis of 46 TV fiction productions, this article analyses current financing streams, patterns and dynamics of TV fiction in small media markets. It seeks to reveal the composition of budgets and the relative importance of diverse agents and funders involved in TV fiction production. Critical evaluations are then offered as to whether current financing models and policy support mechanisms are fit to tackle the challenges posed by the increasing number of windows and increased fragmentation of TV fiction financing. "
Source : https://www.intellectbooks.com/journal-of-popular-television (consulté le 7/5/2019)En ligne : https://www.intellectbooks.com/journal-of-popular-television
in Journal of popular television > 4 -1 [02/01/2016] . - pp. 129-147[article] Sustaining local audiovisual ecosystems : Analysis of financing and production of domestic TV fiction in small media markets [document électronique] / Tim Raats, Auteur ; Tom Evens, Auteur ; Sanne Ruelens, Auteur . - 2016 . - pp. 129-147.
Langues : Anglais
in Journal of popular television > 4 -1 [02/01/2016] . - pp. 129-147
Tags : médias de masse recherche télévision aspect socio-culturel documentaire fiction financement séries Flandres Résumé : "Various trends, both technological and economic in nature, have led to a shift in the financing and production of serial television fiction (principally television drama and episodic comedy), resulting in pressure on existing financing of TV fiction. These pressures prove especially difficult for small nations and regions, being characterized by restricted markets, a limited number of active players, and barriers for export and scale. For media policy-makers, these transitions invoke a series of new challenges to sustain existing audio-visual ecosystems. Based on a case study of TV fiction in Flanders, and presenting evidence from a financial analysis of 46 TV fiction productions, this article analyses current financing streams, patterns and dynamics of TV fiction in small media markets. It seeks to reveal the composition of budgets and the relative importance of diverse agents and funders involved in TV fiction production. Critical evaluations are then offered as to whether current financing models and policy support mechanisms are fit to tackle the challenges posed by the increasing number of windows and increased fragmentation of TV fiction financing. "
Source : https://www.intellectbooks.com/journal-of-popular-television (consulté le 7/5/2019)En ligne : https://www.intellectbooks.com/journal-of-popular-television