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Faire une suggestion Affiner la rechercheA European Television History / Jonathan Bignell
Titre : A European Television History Type de document : texte imprimé Auteurs : Jonathan Bignell, Editeur scientifique ; Andreas Fickers, Editeur scientifique Editeur : Oxford [Grande-Bretagne] : Wiley-Blackwell Année de publication : 2008 Importance : 273 p. Format : 24,5 cm ISBN/ISSN/EAN : 978-1-4051-6340-8 Langues : Français Catégories : MEDIAS:AUDIOVISUEL: TELEVISION
MEDIAS:HISTOIRE DES MEDIASTags : Europe télévision histoire des médias aspect socio-culturel Résumé : RESUME proposé par l'éditeur :
European Television History brings together television historians and media scholars to chart the development of television in Europe since its inception. The volume interrogates the history of the medium in divergent political, economic, cultural and ideological national contexts
taking a comparative approach to the topic, the volume is organized around a set of common questions, themes, and methodological reflections
deals with European television in the context of television historiography and transnational traditions
case study chapters written by scholars from different European countries to reflect their specific areas of expertise
(Source : http://blackwellpublishing.com/ - Consulté le 05/01/2008)Note de contenu : TABLE DES MATIERES :
List of Contributors
Acknowledgements
1. Introduction: Comparative European Perspectives on Television History: Jonathan Bignell (University of Reading) and Andreas Fickers (University of Maastricht)
2. Early TV: Imagining and Realising Television: Knut Hickethier (University of Hamburg)
3. Institutionalising European Television: The Shaping of European Television Institutions and Infrastructures: Christina Adamou (Aristotle University of Thessaloniki), with Isabelle Gaillard (University of Grenoble) and Dana Mustata (University of Utrecht)
4. Searching for an Identity for Television: Programmes, Genres, Formats: Jérôme Bourdon (University of Tel Aviv), with Juan Carlos Ibáñez (University Carlos III, Madrid), Catherine Johnson ( Royal Holloway, University of London) and Eggo Müller (University of Utrecht)
5. TV Nations or Global Medium? European Television Between National Institution and Window on the World: Sonja de Leeuw (University of Utrecht), with Alexander Dhoest (University of Antwerp), Juan Francisco Gutiérrez Lozano (University of Málaga), François Heinderyckx (Free University of Brussels), Anu Koivunen (University of Helsinki)and Jamie Medhurst (University of Wales Aberystwyth)
6. American Television: Point of Reference or European Nightmare?: Ib Bondebjerg (University of Copenhagen), with Tomasz Goban-Klas (University of Krakow), Michele Hilmes (University of Wisconsin-Madison), Dana Mustata (University of Utrecht), Helle Strandgaard-Jensen (Roskilde University Centre, Demnark), Isabelle Veyrat-Masson (Centre National de Recherche Scientifique, Paris) and Susanne Vollberg (University of Leipzig)
7. European Television Events and Euro-visions: Tensions between the Ordinary and the Extraordinary: Rob Turnock (Royal Holloway, University of London), with Alexander Hecht (Österreichischer Rundfunk), Dana Mustata (University of Utrecht), Mari Pajala (University of Turku) and Alison Preston (Ofcom)
8. European Television Audiences: Localising the Viewers: Mats Björkin (University of Gothenburg), with Juan Francisco Gutiérrez Lozano (University of Málaga)
9. Conclusion: Reflections on Doing European Television History: Andreas Fickers (University of Maastricht) and Jonathan Bignell (University of Reading)
10. European Television Archives and the Search for Audiovisual Sources: Andy O'Dwyer (BBC Future Media & Technology, London)
Index
A European Television History [texte imprimé] / Jonathan Bignell, Editeur scientifique ; Andreas Fickers, Editeur scientifique . - Oxford (9600 Garsington Road, OX4 2DQ, Grande-Bretagne) : Wiley-Blackwell, 2008 . - 273 p. ; 24,5 cm.
ISBN : 978-1-4051-6340-8
Langues : Français
Catégories : MEDIAS:AUDIOVISUEL: TELEVISION
MEDIAS:HISTOIRE DES MEDIASTags : Europe télévision histoire des médias aspect socio-culturel Résumé : RESUME proposé par l'éditeur :
European Television History brings together television historians and media scholars to chart the development of television in Europe since its inception. The volume interrogates the history of the medium in divergent political, economic, cultural and ideological national contexts
taking a comparative approach to the topic, the volume is organized around a set of common questions, themes, and methodological reflections
deals with European television in the context of television historiography and transnational traditions
case study chapters written by scholars from different European countries to reflect their specific areas of expertise
(Source : http://blackwellpublishing.com/ - Consulté le 05/01/2008)Note de contenu : TABLE DES MATIERES :
List of Contributors
Acknowledgements
1. Introduction: Comparative European Perspectives on Television History: Jonathan Bignell (University of Reading) and Andreas Fickers (University of Maastricht)
2. Early TV: Imagining and Realising Television: Knut Hickethier (University of Hamburg)
3. Institutionalising European Television: The Shaping of European Television Institutions and Infrastructures: Christina Adamou (Aristotle University of Thessaloniki), with Isabelle Gaillard (University of Grenoble) and Dana Mustata (University of Utrecht)
4. Searching for an Identity for Television: Programmes, Genres, Formats: Jérôme Bourdon (University of Tel Aviv), with Juan Carlos Ibáñez (University Carlos III, Madrid), Catherine Johnson ( Royal Holloway, University of London) and Eggo Müller (University of Utrecht)
5. TV Nations or Global Medium? European Television Between National Institution and Window on the World: Sonja de Leeuw (University of Utrecht), with Alexander Dhoest (University of Antwerp), Juan Francisco Gutiérrez Lozano (University of Málaga), François Heinderyckx (Free University of Brussels), Anu Koivunen (University of Helsinki)and Jamie Medhurst (University of Wales Aberystwyth)
6. American Television: Point of Reference or European Nightmare?: Ib Bondebjerg (University of Copenhagen), with Tomasz Goban-Klas (University of Krakow), Michele Hilmes (University of Wisconsin-Madison), Dana Mustata (University of Utrecht), Helle Strandgaard-Jensen (Roskilde University Centre, Demnark), Isabelle Veyrat-Masson (Centre National de Recherche Scientifique, Paris) and Susanne Vollberg (University of Leipzig)
7. European Television Events and Euro-visions: Tensions between the Ordinary and the Extraordinary: Rob Turnock (Royal Holloway, University of London), with Alexander Hecht (Österreichischer Rundfunk), Dana Mustata (University of Utrecht), Mari Pajala (University of Turku) and Alison Preston (Ofcom)
8. European Television Audiences: Localising the Viewers: Mats Björkin (University of Gothenburg), with Juan Francisco Gutiérrez Lozano (University of Málaga)
9. Conclusion: Reflections on Doing European Television History: Andreas Fickers (University of Maastricht) and Jonathan Bignell (University of Reading)
10. European Television Archives and the Search for Audiovisual Sources: Andy O'Dwyer (BBC Future Media & Technology, London)
Index
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Titre : New media, new policies Type de document : texte imprimé Auteurs : Richard Collins, Auteur ; Cristina Murroni, Auteur Editeur : Oxford [Grande-Bretagne] : Wiley-Blackwell Année de publication : 1996 Importance : ix, 243 p. Format : 23 cm ISBN/ISSN/EAN : 978-0-7456-1785-5 Prix : 70,-€ Langues : Anglais Catégories : DROIT
ECONOMIE - Aspects GénérauxTags : aspect économique télécommunications concurrence liberté d'expression audiovisuel régulation législation service public télévision Grande-Bretagne Index. décimale : 343.07 Droit de la concurrence Résumé : PRESENTATION DE L'EDITEUR (4ème p. couverture) :
We are in the middle of a communications revolution, expressed in a proliferation of media forms and media technologies. Are these changes a threat or a promise? Who is to control access to the media, old and new? What role should competition play in their further development? The United Kingdom is something of a global 'laboratory' for the deregulation and liberalization of media and communications. This is the first book to look systematically at the implications of the UK's experience and to provide clear guidelines for the future.
Richard Collins and Cristina Murroni question orthodox views of both Left and Right concerning media and communication policies. Unlike many in the Left, they acknowledge the achievements of liberalism and in fact advocate an expansion of competition in some contexts. In contrast to the Right they argue that media and communications are too important to society to be left solely to the market - not least because markets often fail. Regulation is needed for effective competition, to ensure affordable access to essential services and to protect citizens and consumers.
Collins's and Murroni's study was undertaken at the Institute for Public Policy Research - the UK's leading centre-left 'think tank'. Their findings are essential reading for policy-makers, students and professionals in the area of modern media and communications.
(Source : http://www.wiley.com - Consulté le 04/06/2009)Note de contenu : CONTENTS :
PREFACE AND ACKNOWLEDGEMENTS
INTRODUCTION
1. Marked forces in telecommunications
2. Essential facilities, third party access and the problems of interconnection
3. Concentration of ownership
4. Universal service obligation in broadcasting and telecommunications
5. Freedom of expression
6. Audio-visual policies : too much or not enough ?
7. Public service broadcasting : a better BBC
8. Convergence and change : reforming the regultors
CONCLUSIONS
APPENDIX 1 : THE TELECOMMUNICATIONS SECTOR
APPENDIX 2 : THE GATEKEEPERS
NOTES / REFERENCES / GLOSSARY / INDEXNew media, new policies [texte imprimé] / Richard Collins, Auteur ; Cristina Murroni, Auteur . - Oxford (9600 Garsington Road, OX4 2DQ, Grande-Bretagne) : Wiley-Blackwell, 1996 . - ix, 243 p. ; 23 cm.
ISBN : 978-0-7456-1785-5 : 70,-€
Langues : Anglais
Catégories : DROIT
ECONOMIE - Aspects GénérauxTags : aspect économique télécommunications concurrence liberté d'expression audiovisuel régulation législation service public télévision Grande-Bretagne Index. décimale : 343.07 Droit de la concurrence Résumé : PRESENTATION DE L'EDITEUR (4ème p. couverture) :
We are in the middle of a communications revolution, expressed in a proliferation of media forms and media technologies. Are these changes a threat or a promise? Who is to control access to the media, old and new? What role should competition play in their further development? The United Kingdom is something of a global 'laboratory' for the deregulation and liberalization of media and communications. This is the first book to look systematically at the implications of the UK's experience and to provide clear guidelines for the future.
Richard Collins and Cristina Murroni question orthodox views of both Left and Right concerning media and communication policies. Unlike many in the Left, they acknowledge the achievements of liberalism and in fact advocate an expansion of competition in some contexts. In contrast to the Right they argue that media and communications are too important to society to be left solely to the market - not least because markets often fail. Regulation is needed for effective competition, to ensure affordable access to essential services and to protect citizens and consumers.
Collins's and Murroni's study was undertaken at the Institute for Public Policy Research - the UK's leading centre-left 'think tank'. Their findings are essential reading for policy-makers, students and professionals in the area of modern media and communications.
(Source : http://www.wiley.com - Consulté le 04/06/2009)Note de contenu : CONTENTS :
PREFACE AND ACKNOWLEDGEMENTS
INTRODUCTION
1. Marked forces in telecommunications
2. Essential facilities, third party access and the problems of interconnection
3. Concentration of ownership
4. Universal service obligation in broadcasting and telecommunications
5. Freedom of expression
6. Audio-visual policies : too much or not enough ?
7. Public service broadcasting : a better BBC
8. Convergence and change : reforming the regultors
CONCLUSIONS
APPENDIX 1 : THE TELECOMMUNICATIONS SECTOR
APPENDIX 2 : THE GATEKEEPERS
NOTES / REFERENCES / GLOSSARY / INDEXRéservation
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Titre : Cultural diversity and global media - The mediation of difference Type de document : texte imprimé Auteurs : Eugenia Siapera, Auteur Editeur : Oxford [Grande-Bretagne] : Wiley-Blackwell Année de publication : 2010 Importance : vi, 222 p. Format : 24,5 cm ISBN/ISSN/EAN : 978-1-4051-8046-7 Prix : 31,-€ Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL: RADIO:Programmes / Contenu:multiculturalité
MEDIAS:AUDIOVISUEL: TELEVISION: Programmes / Contenu: multiculturalité
MEDIAS:AUDIOVISUEL:NUMERIQUE:Contenu:multiculturalitéTags : diversité culturelle médias aspect socio-culturel médiation stéréotype discrimination racisme internet public contenu Index. décimale : 177.5 Pratiques discriminatoires Résumé : Présentation de l'éditeur sur son site :
"Cultural Diversity and Global Media explores the relationship between the media and multiculturalism.
Summarises and critically discusses current approaches to multiculturalism and the media from a global perspecive
Explores both the theoretical debates and empirical findings on multiculturalism and the media
Assumes the new perspective of mediation of cultural diversity, which critically combines elements of previous theories in order to gain a better understanding of the relationship between the media and cultural diversity
Explores media ‘moments’ of production, representation and consumption, while incorporating arguments on their shifting roles and boundaries
Examines separately the role of the internet, which is linked to many changes in patterns of media production, representation and to increased possibilities for diasporic and transnational communication
Contains pedagogical features that enable readers to understand and critically engage with the material, and draws upon and reviews an extensive bibliography, providing a useful reference tool."
(Source : http://eu.wiley.com - Consulté le 03/05/2010)Note de contenu : TABLE DES MATIERES :
1. (REe)THINKING CULTURAL DIVERSITY AND THE MEDIA
1.1. The Crises of Multiculturalism
1.2. The Mediation of Cultural Diversity
1.3. The Structure of the Book
2. THEORIZING THE NATION
2.1. Theories of the Nation
2.2. A Word on Globalization
2.3. Conclusions
3. VARIETIES OF MULTICULTURALISM
3.1. A Typology of European Multiculturalism
3.2. Multiculturalism in Immigration Countries: US and Canada
3.3. Constitutively Different: India and Nigeria
3.4. Conclusions
4. THEORIES OF MULTICULTURALISM
4.1. Multicultural Dilemmas
4.2. Essentialism or Fluidity?
4.3. Universalism or Particularism?
4.4. Recognition or Redistribution?
4.5. Conclusions
5. MEDIA THEORIES AND CULTURAL DIVERSITY
5.1. Socio-Psychological Approaches to Media
5.2. Medium Theory
5.3. Political-Economic Theories of the Media
5.4. Socio-Cultural Approaches to the Media
5.5. Mediation: The Difference Media Make
5.6. Conclusions
6. MEDIA PRODUCTION AND DIVERSITY
6.1. Media Production and Mediation
6.2. Media Corporations
6.3. Media Organizations and Media Logics
6.4. Media Workers
6.5. Conclusions
7. MINORITY AND DIASPORIC MEDIA : CONTROVERSIES AND CONTRIBUTIONS
7.1. Why Study Minority Media?
7.2. Issues of Terminology
7.3. Theorizing the Role(s) of Diasporic Media
7.4. Diasporic Media: a Typology
7.5. The Politics of Diasporic Media
7.6. Conclusions
8. THEORIES OF REPRESENTATION
8.1. The Work of Representation
8.2. Stereotyping: the Cognitive Aspects of Representation
8.3. Framing and Discourse: a First Link to Ideology
8.4. Semiosis, Discourse, and Representation: an Historical Analysis
8.5. The Performative Force of Representation
8.6. Conclusions: Representation and Mediation
9. REGIMES OF REPRESENTATION
9.1. The Multiplicity of Representations
9.2. The Racist Regime of Representation
9.3. The Domesticated Regime of Representation
9.4. The Regime of Commodification
9.5. Conclusions
10. SELF-REPRESENTATIONS OF CULTURAL DIVERSITY
10.1. Representational Dilemmas
10.2. The Essentialist Regime of Representation
10.3. The Alternative Regime of Representation
10.4. Conclusions
11. AUDIENCES AND CULTURAL DIVERSITY
11.1. What Do People Do with the Media?
11.2. Audience Reception of Mediated Cultural Diversity
11.3. Ethno-Cultural Groups as Audiences
11.4. Media Consumption and Identity
11.5. Right to Reply: How Can Audiences Respond?
11.6. Conclusions
12. CULTURAL DIVERSITY ONLINE
12.1. The Difference the Internet Makes
12.2. Network Society and Cultural Diversity
12.3. Mediation of Cultural Diversity Internet Style
12.4. Conclusions
Bibliography
Index
Cultural diversity and global media - The mediation of difference [texte imprimé] / Eugenia Siapera, Auteur . - Oxford (9600 Garsington Road, OX4 2DQ, Grande-Bretagne) : Wiley-Blackwell, 2010 . - vi, 222 p. ; 24,5 cm.
ISBN : 978-1-4051-8046-7 : 31,-€
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL: RADIO:Programmes / Contenu:multiculturalité
MEDIAS:AUDIOVISUEL: TELEVISION: Programmes / Contenu: multiculturalité
MEDIAS:AUDIOVISUEL:NUMERIQUE:Contenu:multiculturalitéTags : diversité culturelle médias aspect socio-culturel médiation stéréotype discrimination racisme internet public contenu Index. décimale : 177.5 Pratiques discriminatoires Résumé : Présentation de l'éditeur sur son site :
"Cultural Diversity and Global Media explores the relationship between the media and multiculturalism.
Summarises and critically discusses current approaches to multiculturalism and the media from a global perspecive
Explores both the theoretical debates and empirical findings on multiculturalism and the media
Assumes the new perspective of mediation of cultural diversity, which critically combines elements of previous theories in order to gain a better understanding of the relationship between the media and cultural diversity
Explores media ‘moments’ of production, representation and consumption, while incorporating arguments on their shifting roles and boundaries
Examines separately the role of the internet, which is linked to many changes in patterns of media production, representation and to increased possibilities for diasporic and transnational communication
Contains pedagogical features that enable readers to understand and critically engage with the material, and draws upon and reviews an extensive bibliography, providing a useful reference tool."
(Source : http://eu.wiley.com - Consulté le 03/05/2010)Note de contenu : TABLE DES MATIERES :
1. (REe)THINKING CULTURAL DIVERSITY AND THE MEDIA
1.1. The Crises of Multiculturalism
1.2. The Mediation of Cultural Diversity
1.3. The Structure of the Book
2. THEORIZING THE NATION
2.1. Theories of the Nation
2.2. A Word on Globalization
2.3. Conclusions
3. VARIETIES OF MULTICULTURALISM
3.1. A Typology of European Multiculturalism
3.2. Multiculturalism in Immigration Countries: US and Canada
3.3. Constitutively Different: India and Nigeria
3.4. Conclusions
4. THEORIES OF MULTICULTURALISM
4.1. Multicultural Dilemmas
4.2. Essentialism or Fluidity?
4.3. Universalism or Particularism?
4.4. Recognition or Redistribution?
4.5. Conclusions
5. MEDIA THEORIES AND CULTURAL DIVERSITY
5.1. Socio-Psychological Approaches to Media
5.2. Medium Theory
5.3. Political-Economic Theories of the Media
5.4. Socio-Cultural Approaches to the Media
5.5. Mediation: The Difference Media Make
5.6. Conclusions
6. MEDIA PRODUCTION AND DIVERSITY
6.1. Media Production and Mediation
6.2. Media Corporations
6.3. Media Organizations and Media Logics
6.4. Media Workers
6.5. Conclusions
7. MINORITY AND DIASPORIC MEDIA : CONTROVERSIES AND CONTRIBUTIONS
7.1. Why Study Minority Media?
7.2. Issues of Terminology
7.3. Theorizing the Role(s) of Diasporic Media
7.4. Diasporic Media: a Typology
7.5. The Politics of Diasporic Media
7.6. Conclusions
8. THEORIES OF REPRESENTATION
8.1. The Work of Representation
8.2. Stereotyping: the Cognitive Aspects of Representation
8.3. Framing and Discourse: a First Link to Ideology
8.4. Semiosis, Discourse, and Representation: an Historical Analysis
8.5. The Performative Force of Representation
8.6. Conclusions: Representation and Mediation
9. REGIMES OF REPRESENTATION
9.1. The Multiplicity of Representations
9.2. The Racist Regime of Representation
9.3. The Domesticated Regime of Representation
9.4. The Regime of Commodification
9.5. Conclusions
10. SELF-REPRESENTATIONS OF CULTURAL DIVERSITY
10.1. Representational Dilemmas
10.2. The Essentialist Regime of Representation
10.3. The Alternative Regime of Representation
10.4. Conclusions
11. AUDIENCES AND CULTURAL DIVERSITY
11.1. What Do People Do with the Media?
11.2. Audience Reception of Mediated Cultural Diversity
11.3. Ethno-Cultural Groups as Audiences
11.4. Media Consumption and Identity
11.5. Right to Reply: How Can Audiences Respond?
11.6. Conclusions
12. CULTURAL DIVERSITY ONLINE
12.1. The Difference the Internet Makes
12.2. Network Society and Cultural Diversity
12.3. Mediation of Cultural Diversity Internet Style
12.4. Conclusions
Bibliography
Index
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Titre : The handbook of media audiences Type de document : texte imprimé Auteurs : Virginia Nightingale, Auteur Editeur : Oxford [Grande-Bretagne] : Wiley-Blackwell Année de publication : 2011 Collection : Global handbooks in media and communication research Importance : 560 p. ISBN/ISSN/EAN : 978-1-4051-8418-2 Prix : 132,-€ Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL:NUMERIQUE Tags : médias convergence internet numérique audience réseaux sociaux sport jeunes régulation public mobile Index. décimale : 004.678 Internet Résumé : Présentation de l'éditeur :
"This handbook offers a comprehensive overview of the complexity and diversity of audience studies in the advent of digital media.
•Details the study of audiences and how it is changing in relation to digital media
•Recognizes and appreciates valuable traditional approaches and identifies how they can be applied to, and evolve with, the changing media world
•Offers diverse perspectives from which being an audience, theorizing audiences, researching audiences, and doing audience research are approached today
•Argues that the field works best by identifying particular 'audience problems' and applying the best theories and research methods available to solving them
•Includes contributions from some of the most outstanding international scholars in the field."
Source : http://eu.wiley.com/ - Consulté le 24/08/2011
Note de contenu : Table des matières :
Notes on Contributors.
Series Editor's Preface.
Acknowledgments.
Introduction (Virginia Nightingale)
PART I - BEING AUDIENCES
1 Readers as Audiences (Wendy Griswold, Elizabeth Lenaghan, and Michelle Naffziger).
2 Listening for Listeners: The Work of Arranging How Listening Will Occur in Cultures of Recorded Sound (Jackie Cook).
3 Viewing (Shawn Shimpach).
4 Search and Social Media (Virginia Nightingale).
5 Spreadable Media: How Audiences Create Value and Meaning in a Networked Economy (Joshua Green and Henry Jenkins).
6 Going Mobile (Gerard Goggin)
PART II - THEORIZING AUDIENCES
7 Audiences and Publics, Media and Public Spheres (Richard Butsch).
8 The Implied Audience of Communications Policy Making: Regulating Media in the Interests of Citizens and Consumers (Sonia Livingstone and Peter Lunt).
9 New Configurations of the Audience? The Challenges of User-Generated Content for Audience Theory and Media Participation (Nico Carpentier).
10 The Necessary Future of the Audience … and How to Research It (Nick Couldry).
11 Reception (Cornel Sandvoss).
12 Affect Theory and Audience (Anna Gibbs)
PART III - RESEARCHING AUDIENCES
13 Toward a Branded Audience: On the Dialectic between Marketing and Consumer Agency (Adam Arvidsson).
14 Ratings and Audience Measurement (Philip M. Napoli).
15 Quantitative Audience Research: Embracing the Poor Relation (David Deacon and Emily Keightley).
16 Media Effects in Context (Brian O'Neill).
17 Cultivation Analysis and Media Violence (Andy Ruddock).
18 Creative and Visual Methods in Audience Research (Fatimah Awan and David Gauntlett).
19 Locating Media Ethnography (Patrick D. Murphy).
Part IV Doing Audience Research.
20 Children's Media Cultures in Comparative Perspective (Sonia Livingstone and Kirsten Drotner).
21 Fan Cultures and Fan Communities (Kristina Busse and Jonathan Gray).
22 Beyond the Presumption of Identity? Ethnicities, Cultures, and Transnational Audiences (Mirca Madianou).
23 Participatory Vision: Watching Movies with Yolngu (Jennifer Deger).
24 The Audience Is the Show (Annette Hill).
25 Seeking the Audience for News: Response, News Talk, and Everyday Practices (S. Elizabeth Bird).
26 Sport and Its Audiences (David Rowe)
Index.
Source : http://eu.wiley.com/ - Consulté le 24/08/2011The handbook of media audiences [texte imprimé] / Virginia Nightingale, Auteur . - Oxford (9600 Garsington Road, OX4 2DQ, Grande-Bretagne) : Wiley-Blackwell, 2011 . - 560 p.. - (Global handbooks in media and communication research) .
ISBN : 978-1-4051-8418-2 : 132,-€
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL:NUMERIQUE Tags : médias convergence internet numérique audience réseaux sociaux sport jeunes régulation public mobile Index. décimale : 004.678 Internet Résumé : Présentation de l'éditeur :
"This handbook offers a comprehensive overview of the complexity and diversity of audience studies in the advent of digital media.
•Details the study of audiences and how it is changing in relation to digital media
•Recognizes and appreciates valuable traditional approaches and identifies how they can be applied to, and evolve with, the changing media world
•Offers diverse perspectives from which being an audience, theorizing audiences, researching audiences, and doing audience research are approached today
•Argues that the field works best by identifying particular 'audience problems' and applying the best theories and research methods available to solving them
•Includes contributions from some of the most outstanding international scholars in the field."
Source : http://eu.wiley.com/ - Consulté le 24/08/2011
Note de contenu : Table des matières :
Notes on Contributors.
Series Editor's Preface.
Acknowledgments.
Introduction (Virginia Nightingale)
PART I - BEING AUDIENCES
1 Readers as Audiences (Wendy Griswold, Elizabeth Lenaghan, and Michelle Naffziger).
2 Listening for Listeners: The Work of Arranging How Listening Will Occur in Cultures of Recorded Sound (Jackie Cook).
3 Viewing (Shawn Shimpach).
4 Search and Social Media (Virginia Nightingale).
5 Spreadable Media: How Audiences Create Value and Meaning in a Networked Economy (Joshua Green and Henry Jenkins).
6 Going Mobile (Gerard Goggin)
PART II - THEORIZING AUDIENCES
7 Audiences and Publics, Media and Public Spheres (Richard Butsch).
8 The Implied Audience of Communications Policy Making: Regulating Media in the Interests of Citizens and Consumers (Sonia Livingstone and Peter Lunt).
9 New Configurations of the Audience? The Challenges of User-Generated Content for Audience Theory and Media Participation (Nico Carpentier).
10 The Necessary Future of the Audience … and How to Research It (Nick Couldry).
11 Reception (Cornel Sandvoss).
12 Affect Theory and Audience (Anna Gibbs)
PART III - RESEARCHING AUDIENCES
13 Toward a Branded Audience: On the Dialectic between Marketing and Consumer Agency (Adam Arvidsson).
14 Ratings and Audience Measurement (Philip M. Napoli).
15 Quantitative Audience Research: Embracing the Poor Relation (David Deacon and Emily Keightley).
16 Media Effects in Context (Brian O'Neill).
17 Cultivation Analysis and Media Violence (Andy Ruddock).
18 Creative and Visual Methods in Audience Research (Fatimah Awan and David Gauntlett).
19 Locating Media Ethnography (Patrick D. Murphy).
Part IV Doing Audience Research.
20 Children's Media Cultures in Comparative Perspective (Sonia Livingstone and Kirsten Drotner).
21 Fan Cultures and Fan Communities (Kristina Busse and Jonathan Gray).
22 Beyond the Presumption of Identity? Ethnicities, Cultures, and Transnational Audiences (Mirca Madianou).
23 Participatory Vision: Watching Movies with Yolngu (Jennifer Deger).
24 The Audience Is the Show (Annette Hill).
25 Seeking the Audience for News: Response, News Talk, and Everyday Practices (S. Elizabeth Bird).
26 Sport and Its Audiences (David Rowe)
Index.
Source : http://eu.wiley.com/ - Consulté le 24/08/2011Réservation
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Titre : The handbook of gender, sex and media Type de document : texte imprimé Auteurs : Karen Ross, Auteur Editeur : Oxford [Grande-Bretagne] : Wiley-Blackwell Année de publication : 2011 Importance : 576 p. Format : 24 cm ISBN/ISSN/EAN : 978-1-4443-3854-6 Prix : 139,90-€ Langues : Anglais Catégories : MEDIAS: COMMUNICATION & JOURNALISME - Aspects généraux Tags : sexisme discrimination médias égalité hommes-femmes Index. décimale : 177.5 Pratiques discriminatoires Résumé : Présentation par l'éditeur :
"The Handbook of Gender, Sex and Media offers original insights into the complex set of relations which exist between gender, sex, sexualities and the media, and in doing so, showcases new research at the forefront of media and communication practice and theory.
• Brings together a collection of new, cutting-edge research exploring a number of different facets of the broad relationship between gender and media
• Moves beyond associating gender with man/woman and instead considers the relationship between the construction of gender norms, biological sex and the mediation of sex and sexuality
• Offers genuinely new insights into the complicated and complex set of relations which exist between gender, sex, sexualities and the media
• Essay topics range from the continuing sexism of TV advertising to ways in which the internet is facilitating the (re)invention of our sexual selves.
Source : http://eu.wiley.com (Consulté le 16/11/2011)
Note de contenu : TABLE OF CONTENTS
Notes on Contributors.
Editor’s Introduction.
Part 1: Mediated Women.
1. The geography of women and media scholarship (Carolyn Byerly).
2. Chilean Women in Changing Times: Media Images and Social Understandings (Claudia Bucciferro).
3. The Girls of Parliament: A Historical Analysis of the Press Coverage of Female Politicians in Bulgaria (Elza Ibrosheva and Maria Stover).
4. Gossip Blogs and “Baby Bumps:” The New Visual Spectacle of Female Celebrity in Gossip Media (Erin Meyers).
5. Fanfiction and webnovelas: the digital reading and writing of Brazilian adolescent girls (Ilana Eleá).
6. Virtually blonde: Blonde jokes in the global age and post-feminist discourse (Limor Shifman and Dafna Lemish).
Part 2: Rugged masculinity and other fables.
7. Men, Masculinitie and the Cave Man (Jeffery P. Dennis).
8. Rhetorical Masculinity: authoritative utterance and the male protagonist (Stuart Price).
9. Conan the Blueprint: The construction of masculine prototypes in genre films (Guido Ipsen).
10. Save The Cheerleader, Save the Males: Resurgent Protective Paternalism in Popular Film and Television After 9/11 (Sarah Godfrey and Hannah Hamad).
11. Fucking Vito: Masculinity and Sexuality in The Sopranos (Lynne Hibberd).
12. Studio5ive.Com: Selling Cosmetics To Men And Reconstructing Masculine Identity (Claire Harrison).
Part 3: Queering the pitch.
13. No Hard Feelings: Reflexivity and Queer Affect in the New Media Landscape (Katherine Sender).
14. The L Word: Producing Identities Through Irony (Julie Scanlon).
15. Andro-phobia?: When Gender Queer Is too Queer For L-Word Audiences (Rebecca Kern).
16. Questioning queer audiences: Exploring diversity in lesbian and gay men’s media uses and readings (Alexander Dhoest and Nele Simons).
17. ‘In Touch’ With the Female Body: Cinema, Sport and Lesbian Representability (Katharina Lindner).
18. Why Doesn’t Your Compass Work?: Pirates of the Caribbean, Fantasy Blockbusters and Contemporary Queer Theory (Martin Fradley).
19. Raised Voices: Homophobic Abuse as a Catalyst for Coming Out in US Teen Television Drama Series (Susan Berridge).
20. Transmen On The Web: Inscribing Multiple Discourses (Matthew Heinz).
21. Transgendered Saints and Harlots: reproduction of popular Brazilian transgender stereotypes through performance on stage, screen and in everyday life (Johannes Sjöberg).
Part 4: Women, men and gender.
22. Sex/Gender and the Media: From Sex Roles to Social Construction and Beyond (Cynthia Carter).
23. Colin won’t drink out of a pink cup (Barbara Mitra and Jenny Lewin-Jones).
24. Postfeminism Meets Hegemonic Masculinities: Young People Read The ‘Knowing Wink’ In Advertising (Sue Abel).
25. Communication As Commodification: Video Technology and the Gendered Gaze (Corinna Chong, Heather Molyneaux and Hélène Fournier).
26. Dutch-Moroccan girls performing their selves in Instant Messaging spaces (Koen Leurs and Sandra Ponzanesi).
Part 5: All about sex
27. Sex and the Media (Feona Attwood).
28. Deliciously Consumable: the Uses and Abuses of Irony in ‘Sex-Trafficking’ Campaign Films (Jane Arthurs).
29. The Sex Inspectors: Self-help, Makeover and Mediated Sex (Laura Harvey and Rosalind Gill).
30. Enacting bodies: online dating and new media practices (Begonya Enguix and Elisenda Ardévol).
31. Gender and sexuality in the Internet era (Panayiota Tsatsou).
32. Gay for Pay: The Internet and The Economics of Homosexual Desire (John Mercer).
Acknowledgments.
Index.
The handbook of gender, sex and media [texte imprimé] / Karen Ross, Auteur . - Oxford (9600 Garsington Road, OX4 2DQ, Grande-Bretagne) : Wiley-Blackwell, 2011 . - 576 p. ; 24 cm.
ISBN : 978-1-4443-3854-6 : 139,90-€
Langues : Anglais
Catégories : MEDIAS: COMMUNICATION & JOURNALISME - Aspects généraux Tags : sexisme discrimination médias égalité hommes-femmes Index. décimale : 177.5 Pratiques discriminatoires Résumé : Présentation par l'éditeur :
"The Handbook of Gender, Sex and Media offers original insights into the complex set of relations which exist between gender, sex, sexualities and the media, and in doing so, showcases new research at the forefront of media and communication practice and theory.
• Brings together a collection of new, cutting-edge research exploring a number of different facets of the broad relationship between gender and media
• Moves beyond associating gender with man/woman and instead considers the relationship between the construction of gender norms, biological sex and the mediation of sex and sexuality
• Offers genuinely new insights into the complicated and complex set of relations which exist between gender, sex, sexualities and the media
• Essay topics range from the continuing sexism of TV advertising to ways in which the internet is facilitating the (re)invention of our sexual selves.
Source : http://eu.wiley.com (Consulté le 16/11/2011)
Note de contenu : TABLE OF CONTENTS
Notes on Contributors.
Editor’s Introduction.
Part 1: Mediated Women.
1. The geography of women and media scholarship (Carolyn Byerly).
2. Chilean Women in Changing Times: Media Images and Social Understandings (Claudia Bucciferro).
3. The Girls of Parliament: A Historical Analysis of the Press Coverage of Female Politicians in Bulgaria (Elza Ibrosheva and Maria Stover).
4. Gossip Blogs and “Baby Bumps:” The New Visual Spectacle of Female Celebrity in Gossip Media (Erin Meyers).
5. Fanfiction and webnovelas: the digital reading and writing of Brazilian adolescent girls (Ilana Eleá).
6. Virtually blonde: Blonde jokes in the global age and post-feminist discourse (Limor Shifman and Dafna Lemish).
Part 2: Rugged masculinity and other fables.
7. Men, Masculinitie and the Cave Man (Jeffery P. Dennis).
8. Rhetorical Masculinity: authoritative utterance and the male protagonist (Stuart Price).
9. Conan the Blueprint: The construction of masculine prototypes in genre films (Guido Ipsen).
10. Save The Cheerleader, Save the Males: Resurgent Protective Paternalism in Popular Film and Television After 9/11 (Sarah Godfrey and Hannah Hamad).
11. Fucking Vito: Masculinity and Sexuality in The Sopranos (Lynne Hibberd).
12. Studio5ive.Com: Selling Cosmetics To Men And Reconstructing Masculine Identity (Claire Harrison).
Part 3: Queering the pitch.
13. No Hard Feelings: Reflexivity and Queer Affect in the New Media Landscape (Katherine Sender).
14. The L Word: Producing Identities Through Irony (Julie Scanlon).
15. Andro-phobia?: When Gender Queer Is too Queer For L-Word Audiences (Rebecca Kern).
16. Questioning queer audiences: Exploring diversity in lesbian and gay men’s media uses and readings (Alexander Dhoest and Nele Simons).
17. ‘In Touch’ With the Female Body: Cinema, Sport and Lesbian Representability (Katharina Lindner).
18. Why Doesn’t Your Compass Work?: Pirates of the Caribbean, Fantasy Blockbusters and Contemporary Queer Theory (Martin Fradley).
19. Raised Voices: Homophobic Abuse as a Catalyst for Coming Out in US Teen Television Drama Series (Susan Berridge).
20. Transmen On The Web: Inscribing Multiple Discourses (Matthew Heinz).
21. Transgendered Saints and Harlots: reproduction of popular Brazilian transgender stereotypes through performance on stage, screen and in everyday life (Johannes Sjöberg).
Part 4: Women, men and gender.
22. Sex/Gender and the Media: From Sex Roles to Social Construction and Beyond (Cynthia Carter).
23. Colin won’t drink out of a pink cup (Barbara Mitra and Jenny Lewin-Jones).
24. Postfeminism Meets Hegemonic Masculinities: Young People Read The ‘Knowing Wink’ In Advertising (Sue Abel).
25. Communication As Commodification: Video Technology and the Gendered Gaze (Corinna Chong, Heather Molyneaux and Hélène Fournier).
26. Dutch-Moroccan girls performing their selves in Instant Messaging spaces (Koen Leurs and Sandra Ponzanesi).
Part 5: All about sex
27. Sex and the Media (Feona Attwood).
28. Deliciously Consumable: the Uses and Abuses of Irony in ‘Sex-Trafficking’ Campaign Films (Jane Arthurs).
29. The Sex Inspectors: Self-help, Makeover and Mediated Sex (Laura Harvey and Rosalind Gill).
30. Enacting bodies: online dating and new media practices (Begonya Enguix and Elisenda Ardévol).
31. Gender and sexuality in the Internet era (Panayiota Tsatsou).
32. Gay for Pay: The Internet and The Economics of Homosexual Desire (John Mercer).
Acknowledgments.
Index.
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