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Faire une suggestion Affiner la rechercheDiversity of journalisms - Proceedings of the ECREA Journalism Studies Section and 26th International Conference of Communication (CICOM) at University of Navarra, Pamplona, 4-5 July 2011 / Ramon Salaverria
Titre : Diversity of journalisms - Proceedings of the ECREA Journalism Studies Section and 26th International Conference of Communication (CICOM) at University of Navarra, Pamplona, 4-5 July 2011 Type de document : document électronique Auteurs : Ramon Salaverria, Auteur Editeur : Pamplona : Universidad de Navarra Année de publication : 2011 Importance : 462 p. Format : Document numérique ISBN/ISSN/EAN : 978-84-8081-082-1 Note générale : Proposé au téléchargement gratuit sur le site http://journalismstudies.eu/pamplona2011/ (sous licence Creative Commons) Langues : Anglais Catégories : CONGRES, SYMPOSIUMS, JOURNEES D'ETUDES, COLLOQUES, MANIFESTATIONS DIVERSES, ....
MEDIAS: COMMUNICATION & JOURNALISME - Aspects générauxTags : journalisme médias convergence format programmation pluralisme public information Index. décimale : 070.4 Journalisme Résumé : PRÉSENTATION SUR LE SITE
"Journalism is undergoing times of change. Since the impact of digital technologies in media markets around the mid 1990’s, this profession has experienced fast and often sudden transformations.
This process has brought an increasing complexity to journalism exercise. In the middle of a pre-existing media scene of newspapers, radio, television and agencies, a new digital medium arises, mainly represented by the Web and mobile platforms. Media companies have also undergone a deep reconfiguration, marked by the redefinition of their traditional business models. Journalists, the main figures of the information activity, have witnessed how their profession has evolved in a context of a brisk replacement of technologies and a new and more interactive relation with the audiences. Finally, the news content has also experienced its own particular process of transformation, with the arrival of new multimedia languages.
Briefly, in just a few years, the media landscape has been entirely reconfigured. And, even though the process is far from being completed, it is certainly noticeable the emergence of a new journalism with new professional profiles, where the distinctive feature is, mainly, diversity.
In view of this new scenario, it is quite urgent to reconsider the academic research on journalism. In order to deal with the growing complexity of media, new approaches and specific methodologies become necessary. Furthermore, it would be definitely essential to do so from an international perspective, thus different research experiences could enrich one another.
These Proceedings gather the research works presented to the Conference “Diversity of Journalisms: Shaping Complex Media Landscapes”, held in Pamplona (Spain), the 4th and 5th of July, 2011. This event was co-organised by ECREA Journalism Studies Section and the School of Communication of the University of Navarra. In the case of ECREA Journalism Studies Section, one of the thematic units of the European Communication Research and Education Association, this was its second conference, after that one held in Winterthur (Switzerland), 2009. As for the School of Communication of the University of Navarra, this convention was the 26th edition of its International Conference of Communication (CICOM), the most veteran academic congress in the field of communication among all those hosted in a Spanish speaking country.
The Conference had a successful response. There were 133 papers proposals, from nearly 30 different countries from all five continents. Due to organisational purposes and inspired by the idea of reaching a high quality level of academic contributions, the number of papers accepted for presentations during the Conference was limited to 80. This selection was made by 30 international reviewers, with a recognized experience as researchers in the field of journalism and communication.
This volume is structured in three main parts: ‘Papers’, ‘Abstracts’ and a final ‘List of authors’.
The first part gathers 28 full text papers, submitted by authors to the Conference organisation before the deadline established for reception of full original texts. Papers are arranged alphabetically according to the last name of first author.
The Abstracts section is a compilation of the 80 paper proposals that had a positive evaluation by the international reviewers which collaborated in the selection process. Papers are sorted in alphabetical order according to last name of first author.
Finally, there is a list of contributors, which mentions all authors that submitted a paper, either individually or collectively, together with their academic filiations and the panel where the paper was scheduled to be presented. The reader will notice how in certain cases, the papers’ mentions are followed by the observation ‘resigned’; this note indicates that, days before the Conference, the author of such paper informed the organisation about his/her intention of not attending the event. Due to the particular difficulties of the editing process of these Proceedings, which have been published days before the Conference, it was impossible to remove those works that were finally non-presented.
On behalf of the Management Team of ECREA Journalism Studies section, I wish to thank, first of all, the School of Communication of the University of Navarra, for its valuable support to the organisation of this international event. We are also very grateful for the collaboration of ECREA which, through its academic networks, made possible the diffusion of the call for proposals for this event and favoured its significant international response. We would also like to give recognition to the generous and disinterested participation of the keynote speakers of the different plenary panels: Aidan White, journalist and former General Secretary of the International Federation of Journalists (1987-2011); professor Maxwell McCombs, Jesse H. Jones Chair in Communications (University of Texas at Austin, USA); Howard Tumber, editor of Journalism. Theory, Practice and Criticism (SAGE Publications); Concha Edo, editor of Text&Visual Media (Spanish Journalistic Society - SEP); Larry Gross, editor of the International Journal of Communication and president of the International Communication Association (ICA) in 2011-2012 (University of Southern California); and Ana Azurmendi, editor of Comunicación y Sociedad (School of Communication, University of Navarra).
Lastly, we would also like to express our thanks to two public institutions: the Spanish Ministry of Science and Innovation, which sponsored the Conference through the research project “Evolución de los cibermedios en el marco de la convergencia. Multiplataforma e integración periodística” [The Development of Spanish Cybermedia in the Convergence Context: Multiplatforms and Journalistic Integration] (ref.: CSO2009-13713-C05-03); and the Pamplona City Council, for the reception which was offered to the participants.
Ramón Salaverría, PhD
Chair of the ECREA Journalism Studies Section"
Source : http://journalismstudies.eu/pamplona2011/ (Consulté le 07/07/2011)Note de contenu : TABLE DES MATIERES :
Presentation
Papers (sorted by main author’s surname)
News Continuity in On-Air and Online Broadcasts on General-Interest
Radio Stations in Spain: Analyzing the Three Main Midday News
Stories in the 2008–2009 and 2009–2010 Seasons
Avelino Amoedo, María del Pilar Martínez-Costa & Elsa Moreno
Towards Converging Media Structures?
Bernd Blöbaum, Eva Kanthack & Hannah Middendorf
Maps of the Technologies Available in the Phases of the
Communication Process
María Ángeles Cabrera González, Pedro Antonio Rojo Villada & Ana
Isabel Bernal Triviño
Follow-Up of Two Main Spanish Political Figures During a Month of
Campaigning Prior to Local Elections in May, 2011, Using Nostracker-
System
Francisco Campos Freire & María Dolores Fernandes del Pozo
News Games and Mobile Journalism: A Proposal for a Theoretical
Rapprochement
Milton Cappelletti Júnior
The News Production Process about the U.S. Embassy Cables: How
‘The Guardian’, ‘The New York Times’ and ‘El País’ Covered and
Released the Documents Provided by WikiLeaks
Miguel Carvajal, José Alberto García Avilés & José Luis González Esteban
Getting Personal: Personification vs. Data-Journalism as an
International Trend in Reporting about Wikileaks
Andrea Czepek
Narratology of (online) news
Javier Díaz Noci
iPad Journalism with the Eyes of Editorial Staff and Readers
Merja Drake
Mass Media and Multimedia Convergence: A Research Proposal for
Evaluation of Online Newspapers
Manuel de la Fuente, Germán Llorca, Lluís Codina & Javier Díaz Noci
Changing Relations in the Kingdom of the Netherlands, 2005-2010: A
Comparison of Coverage and Mutual Representation in Aruban,
Curaçaoan and Dutch Newspapers
Birgit G. H. Kreykenbohm
The Journalistic Message within the Convergence Framework: A Case
Study Analysis of Hypertextual News Stories in Quality Online Media
Ainara Larrondo, Javier Díaz Noci & Irati Agirreazkuenaga
Balance as a Source of Misinformation. A Study of the Coverage of the
Copenhagen Summit on Climate Change in the Spanish Press
Bienvenido León
The Diversity of Scholarship on Journalism. How Journalism Journals
Reflect Theories, Methods, and Topics of Journalism Research – a
Content Analysis (2008–2009)
Martin Löffelholz & Liane Rothenberger
Media and Journalists in Twitter: Corporatizing the Personal and
Personalizing the Professional (Preliminary Analysis)
Alberto López-Hermida Russo & Cecilia Claro Montes
A Multifaceted Study of Online News Diversity: Issues and Methods
Emmanuel Marty, Nikos Smyrnaios & Franck Rebillard
The Growing Impact of Video in Online News Genres
Samuel Negredo
Updating a Traditional Role? The AFP News Agency Confronted by the
Diversity of Challenges in the Digital Era
Jérémie Nicey
Content Analysis applied to Digital Media: A Comparison of News in
‘The Guardian’, ‘Clarín’, and ‘Asahi Simbun’
Javier Odriozola & Guillermo López
European Representations of the Basque Sovereignist Plan
Cristina Perales, Ludivine Thouverez & Laura Filardo
Making Sense Out of Newspaper Humour – The Swine Flu Pandemic in
Portugal
Gonçalo Pereira Rosa
Online News Comments: A Sense of Community from an Ethical and
Legal Perspective
Carlos Ruiz, Javier Díaz Noci, Pere Masip, Josep Lluís Micó, David
Domingo & Koldo Meso
Audience Participation Motivated by Media Politics: First Data About a
Newly Introduced Participatory TV Channel in Germany
Annika Sehl & Michael Steinbrecher
Tradition and Innovation in Online Journalistic Genres
Ana Serrano Tellería
The Development of Local Online Journalism in South-Western France:
the Case of ‘La Dépêche du Midi’
Nikos Smyrnaios & Franck Bousquet
Verlagsgruppe Passau, Orkla Media and Mecom – Different Business
Strategies on Polish Press Market
Adam Szynol
Changing News Formats in Online Newspapers
Panu Uotila
Convergence at Dutch Regional Newspapers: An Explorative Study
Marco van Kerkhoven & Piet Bakker
Abstracts
List of authors
En ligne : http://journalismstudies.eu/pamplona2011/ Diversity of journalisms - Proceedings of the ECREA Journalism Studies Section and 26th International Conference of Communication (CICOM) at University of Navarra, Pamplona, 4-5 July 2011 [document électronique] / Ramon Salaverria, Auteur . - Pamplona (Carretera del Sadar s/n, 31080) : Universidad de Navarra, 2011 . - 462 p. ; Document numérique.
ISBN : 978-84-8081-082-1
Proposé au téléchargement gratuit sur le site http://journalismstudies.eu/pamplona2011/ (sous licence Creative Commons)
Langues : Anglais
Catégories : CONGRES, SYMPOSIUMS, JOURNEES D'ETUDES, COLLOQUES, MANIFESTATIONS DIVERSES, ....
MEDIAS: COMMUNICATION & JOURNALISME - Aspects générauxTags : journalisme médias convergence format programmation pluralisme public information Index. décimale : 070.4 Journalisme Résumé : PRÉSENTATION SUR LE SITE
"Journalism is undergoing times of change. Since the impact of digital technologies in media markets around the mid 1990’s, this profession has experienced fast and often sudden transformations.
This process has brought an increasing complexity to journalism exercise. In the middle of a pre-existing media scene of newspapers, radio, television and agencies, a new digital medium arises, mainly represented by the Web and mobile platforms. Media companies have also undergone a deep reconfiguration, marked by the redefinition of their traditional business models. Journalists, the main figures of the information activity, have witnessed how their profession has evolved in a context of a brisk replacement of technologies and a new and more interactive relation with the audiences. Finally, the news content has also experienced its own particular process of transformation, with the arrival of new multimedia languages.
Briefly, in just a few years, the media landscape has been entirely reconfigured. And, even though the process is far from being completed, it is certainly noticeable the emergence of a new journalism with new professional profiles, where the distinctive feature is, mainly, diversity.
In view of this new scenario, it is quite urgent to reconsider the academic research on journalism. In order to deal with the growing complexity of media, new approaches and specific methodologies become necessary. Furthermore, it would be definitely essential to do so from an international perspective, thus different research experiences could enrich one another.
These Proceedings gather the research works presented to the Conference “Diversity of Journalisms: Shaping Complex Media Landscapes”, held in Pamplona (Spain), the 4th and 5th of July, 2011. This event was co-organised by ECREA Journalism Studies Section and the School of Communication of the University of Navarra. In the case of ECREA Journalism Studies Section, one of the thematic units of the European Communication Research and Education Association, this was its second conference, after that one held in Winterthur (Switzerland), 2009. As for the School of Communication of the University of Navarra, this convention was the 26th edition of its International Conference of Communication (CICOM), the most veteran academic congress in the field of communication among all those hosted in a Spanish speaking country.
The Conference had a successful response. There were 133 papers proposals, from nearly 30 different countries from all five continents. Due to organisational purposes and inspired by the idea of reaching a high quality level of academic contributions, the number of papers accepted for presentations during the Conference was limited to 80. This selection was made by 30 international reviewers, with a recognized experience as researchers in the field of journalism and communication.
This volume is structured in three main parts: ‘Papers’, ‘Abstracts’ and a final ‘List of authors’.
The first part gathers 28 full text papers, submitted by authors to the Conference organisation before the deadline established for reception of full original texts. Papers are arranged alphabetically according to the last name of first author.
The Abstracts section is a compilation of the 80 paper proposals that had a positive evaluation by the international reviewers which collaborated in the selection process. Papers are sorted in alphabetical order according to last name of first author.
Finally, there is a list of contributors, which mentions all authors that submitted a paper, either individually or collectively, together with their academic filiations and the panel where the paper was scheduled to be presented. The reader will notice how in certain cases, the papers’ mentions are followed by the observation ‘resigned’; this note indicates that, days before the Conference, the author of such paper informed the organisation about his/her intention of not attending the event. Due to the particular difficulties of the editing process of these Proceedings, which have been published days before the Conference, it was impossible to remove those works that were finally non-presented.
On behalf of the Management Team of ECREA Journalism Studies section, I wish to thank, first of all, the School of Communication of the University of Navarra, for its valuable support to the organisation of this international event. We are also very grateful for the collaboration of ECREA which, through its academic networks, made possible the diffusion of the call for proposals for this event and favoured its significant international response. We would also like to give recognition to the generous and disinterested participation of the keynote speakers of the different plenary panels: Aidan White, journalist and former General Secretary of the International Federation of Journalists (1987-2011); professor Maxwell McCombs, Jesse H. Jones Chair in Communications (University of Texas at Austin, USA); Howard Tumber, editor of Journalism. Theory, Practice and Criticism (SAGE Publications); Concha Edo, editor of Text&Visual Media (Spanish Journalistic Society - SEP); Larry Gross, editor of the International Journal of Communication and president of the International Communication Association (ICA) in 2011-2012 (University of Southern California); and Ana Azurmendi, editor of Comunicación y Sociedad (School of Communication, University of Navarra).
Lastly, we would also like to express our thanks to two public institutions: the Spanish Ministry of Science and Innovation, which sponsored the Conference through the research project “Evolución de los cibermedios en el marco de la convergencia. Multiplataforma e integración periodística” [The Development of Spanish Cybermedia in the Convergence Context: Multiplatforms and Journalistic Integration] (ref.: CSO2009-13713-C05-03); and the Pamplona City Council, for the reception which was offered to the participants.
Ramón Salaverría, PhD
Chair of the ECREA Journalism Studies Section"
Source : http://journalismstudies.eu/pamplona2011/ (Consulté le 07/07/2011)Note de contenu : TABLE DES MATIERES :
Presentation
Papers (sorted by main author’s surname)
News Continuity in On-Air and Online Broadcasts on General-Interest
Radio Stations in Spain: Analyzing the Three Main Midday News
Stories in the 2008–2009 and 2009–2010 Seasons
Avelino Amoedo, María del Pilar Martínez-Costa & Elsa Moreno
Towards Converging Media Structures?
Bernd Blöbaum, Eva Kanthack & Hannah Middendorf
Maps of the Technologies Available in the Phases of the
Communication Process
María Ángeles Cabrera González, Pedro Antonio Rojo Villada & Ana
Isabel Bernal Triviño
Follow-Up of Two Main Spanish Political Figures During a Month of
Campaigning Prior to Local Elections in May, 2011, Using Nostracker-
System
Francisco Campos Freire & María Dolores Fernandes del Pozo
News Games and Mobile Journalism: A Proposal for a Theoretical
Rapprochement
Milton Cappelletti Júnior
The News Production Process about the U.S. Embassy Cables: How
‘The Guardian’, ‘The New York Times’ and ‘El País’ Covered and
Released the Documents Provided by WikiLeaks
Miguel Carvajal, José Alberto García Avilés & José Luis González Esteban
Getting Personal: Personification vs. Data-Journalism as an
International Trend in Reporting about Wikileaks
Andrea Czepek
Narratology of (online) news
Javier Díaz Noci
iPad Journalism with the Eyes of Editorial Staff and Readers
Merja Drake
Mass Media and Multimedia Convergence: A Research Proposal for
Evaluation of Online Newspapers
Manuel de la Fuente, Germán Llorca, Lluís Codina & Javier Díaz Noci
Changing Relations in the Kingdom of the Netherlands, 2005-2010: A
Comparison of Coverage and Mutual Representation in Aruban,
Curaçaoan and Dutch Newspapers
Birgit G. H. Kreykenbohm
The Journalistic Message within the Convergence Framework: A Case
Study Analysis of Hypertextual News Stories in Quality Online Media
Ainara Larrondo, Javier Díaz Noci & Irati Agirreazkuenaga
Balance as a Source of Misinformation. A Study of the Coverage of the
Copenhagen Summit on Climate Change in the Spanish Press
Bienvenido León
The Diversity of Scholarship on Journalism. How Journalism Journals
Reflect Theories, Methods, and Topics of Journalism Research – a
Content Analysis (2008–2009)
Martin Löffelholz & Liane Rothenberger
Media and Journalists in Twitter: Corporatizing the Personal and
Personalizing the Professional (Preliminary Analysis)
Alberto López-Hermida Russo & Cecilia Claro Montes
A Multifaceted Study of Online News Diversity: Issues and Methods
Emmanuel Marty, Nikos Smyrnaios & Franck Rebillard
The Growing Impact of Video in Online News Genres
Samuel Negredo
Updating a Traditional Role? The AFP News Agency Confronted by the
Diversity of Challenges in the Digital Era
Jérémie Nicey
Content Analysis applied to Digital Media: A Comparison of News in
‘The Guardian’, ‘Clarín’, and ‘Asahi Simbun’
Javier Odriozola & Guillermo López
European Representations of the Basque Sovereignist Plan
Cristina Perales, Ludivine Thouverez & Laura Filardo
Making Sense Out of Newspaper Humour – The Swine Flu Pandemic in
Portugal
Gonçalo Pereira Rosa
Online News Comments: A Sense of Community from an Ethical and
Legal Perspective
Carlos Ruiz, Javier Díaz Noci, Pere Masip, Josep Lluís Micó, David
Domingo & Koldo Meso
Audience Participation Motivated by Media Politics: First Data About a
Newly Introduced Participatory TV Channel in Germany
Annika Sehl & Michael Steinbrecher
Tradition and Innovation in Online Journalistic Genres
Ana Serrano Tellería
The Development of Local Online Journalism in South-Western France:
the Case of ‘La Dépêche du Midi’
Nikos Smyrnaios & Franck Bousquet
Verlagsgruppe Passau, Orkla Media and Mecom – Different Business
Strategies on Polish Press Market
Adam Szynol
Changing News Formats in Online Newspapers
Panu Uotila
Convergence at Dutch Regional Newspapers: An Explorative Study
Marco van Kerkhoven & Piet Bakker
Abstracts
List of authors
En ligne : http://journalismstudies.eu/pamplona2011/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité 1002954 1 2011 ECR DIV Document numérique Internet Docs numérisés CentreDoc Disponible Media concentration in the European market. New trends and challenges / Alfonso Sanchez-Tabernero
Titre : Media concentration in the European market. New trends and challenges Type de document : texte imprimé Auteurs : Alfonso Sanchez-Tabernero, Auteur ; Miguel Carvajal, Auteur Editeur : Pamplona : Universidad de Navarra Année de publication : 2002 Collection : Media markets monographs num. 3 Importance : 162 p. Format : 21,5 cm ISBN/ISSN/EAN : 1695-310X Prix : 25,-€ Langues : Anglais Catégories : ECONOMIE - Aspects Généraux
EUROPE
MEDIASTags : médias aspect économique concurrence Europe Index. décimale : 330 Economie Résumé :
"The last years of the twentieth century have been witness to three moments of far-reaching consequences and great symbolic significance: in the political arena, the fall of the Berlin Wall spelt the end of the division of the world into two antagonistic blocs; in technology, the development of the Internet meant that information could be transmitted and interpersonal communication could be conducted instantaneously and cheaply between people of different countries and continents; and, from the economic viewpoint, the birth of the World Trade Organization heralded the arrival of a globalised world, with increasingly fewer economic barriers.
The communication industry has been no stranger to that phenomenon, characterised by the creation of greater links between people who are not geographically close and by the competition of corporations in a global marketplace.
The globalisation phenomenon has re-opened the debate on the concentration of media companies. Today new challenges and voices of alarm have been raised, fuelled by irrefutable figures as well as groundless fears.
This research looks into the main trends in media concentration. The most relevant statistics on the media industry in Europe are shown. First, a comparison is made between current statistics and those of 1990; then the main growth strategies of media companies in the last decade are described. Finally, the book presents some recommendations both for policy makers and media managers."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : I. CONCEPTS
- Main hypotheses in recent research
- Industrial concentration and market concentration
- The "control" of companies
- Notion of "relevant market"
- Typology of communications groups
II. TRENDS IN THE EUROPEAN MARKET
- The print media
- Television companies
- Radio groups
- Internet, entertainment and advertising
III. STRATEGIES
- The risks of growth
- Advantages of growth strategies
- Vertical and horizontal integration
- Multimedia and international diversification
- The versatile organisation
IV. LEGAL FRAMEWORK
- Historical perspective
- The legal framework of the European Union
- Regulation in the Member States
- Other measures for the promotion of pluralism
V. CONCLUSIONS AND RECOMMENDATIONS
BIBLIOGRAPHY
ANNEX I - List of tables
ANNEX II - National consultantsMedia concentration in the European market. New trends and challenges [texte imprimé] / Alfonso Sanchez-Tabernero, Auteur ; Miguel Carvajal, Auteur . - Pamplona (Carretera del Sadar s/n, 31080) : Universidad de Navarra, 2002 . - 162 p. ; 21,5 cm. - (Media markets monographs; 3) .
ISSN : 1695-310X : 25,-€
Langues : Anglais
Catégories : ECONOMIE - Aspects Généraux
EUROPE
MEDIASTags : médias aspect économique concurrence Europe Index. décimale : 330 Economie Résumé :
"The last years of the twentieth century have been witness to three moments of far-reaching consequences and great symbolic significance: in the political arena, the fall of the Berlin Wall spelt the end of the division of the world into two antagonistic blocs; in technology, the development of the Internet meant that information could be transmitted and interpersonal communication could be conducted instantaneously and cheaply between people of different countries and continents; and, from the economic viewpoint, the birth of the World Trade Organization heralded the arrival of a globalised world, with increasingly fewer economic barriers.
The communication industry has been no stranger to that phenomenon, characterised by the creation of greater links between people who are not geographically close and by the competition of corporations in a global marketplace.
The globalisation phenomenon has re-opened the debate on the concentration of media companies. Today new challenges and voices of alarm have been raised, fuelled by irrefutable figures as well as groundless fears.
This research looks into the main trends in media concentration. The most relevant statistics on the media industry in Europe are shown. First, a comparison is made between current statistics and those of 1990; then the main growth strategies of media companies in the last decade are described. Finally, the book presents some recommendations both for policy makers and media managers."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : I. CONCEPTS
- Main hypotheses in recent research
- Industrial concentration and market concentration
- The "control" of companies
- Notion of "relevant market"
- Typology of communications groups
II. TRENDS IN THE EUROPEAN MARKET
- The print media
- Television companies
- Radio groups
- Internet, entertainment and advertising
III. STRATEGIES
- The risks of growth
- Advantages of growth strategies
- Vertical and horizontal integration
- Multimedia and international diversification
- The versatile organisation
IV. LEGAL FRAMEWORK
- Historical perspective
- The legal framework of the European Union
- Regulation in the Member States
- Other measures for the promotion of pluralism
V. CONCLUSIONS AND RECOMMENDATIONS
BIBLIOGRAPHY
ANNEX I - List of tables
ANNEX II - National consultantsRéservation
Réserver ce document
Exemplaires
Code-barres Cote Support Localisation Section Disponibilité 1003056 4 SAN MED Livre Bibliothèque Documentaires Disponible
Titre : Programming and direct viewer payment for television. The case of Canal Plus Spain. Type de document : texte imprimé Auteurs : Monica Herrero, Auteur Editeur : Pamplona : Universidad de Navarra Année de publication : 2003 Collection : Media markets monographs num. 4 Importance : 117 p. Format : 21,5 cm ISBN/ISSN/EAN : 1695-310X Prix : 25,-€ Langues : Anglais Catégories : EUROPE
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : médias aspect économique Europe droit européen Canal+ télévision sport publicité financement Index. décimale : 791.45 Télévision (Loisir) Résumé : "The implementation of new technologies, the inminent establishment of the digital era and the proliferation of different systems of distribution have greatly altered the economics of commercial television. The introduction of direct viewer payment has also changed the concept of television as a public good. This work analyses the implications of direct viewer payment in the programming and the relationship with the audience.
The study of the implications of direct viewer payment on the programming offer reveals the nature of the products by which people are eager to pay for: popular programming such as films and sport events. Thus, the television schedule of a pay television channel consists of exclusive programming, general programmes as commercial television ones and minority programmes.
The relationship with the audience demands the distinction between potential subscribers and subscribers. The introduction of direct payment modifies both relationships. With the potential subscribers, the pay television channel starts new forms of promotion in the television market, such as sales promotion. Regarding subscribers, the contractual relationship opens a new environment of commercial relations addressed to the satisfaction with the product."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : Table of contents
I - INTRODUCTION AND CONCEPTS
1.1. The broadcasting commodity
1.1.1. The immaterial character of the broadcasting commodity
1.1.2. The broadcasting commodity as a public good
1.1.3. The broadcasting commodity and its dimensions of content, form and logic
1.2. The relationship with the audience
1.2.1. Interpersonal relationship and commercial relationship
1.2.2. Direct payment, contract and subscription
2. ESSENTIALS OF DIRECT PAYMENT FOR TELEVISION
2.1. Pay television versus paying for television
2.1.1. The funding of public service broadcasting
2.1.2. The funding of commercial television
2.1.3. Duplication of contents
2.2. The pay-television channel: economic features
2.2.1. Are television products still public goods?
2.2.2. Subscription, adhesion and freedom
3. THE PROGRAMMING OF A PAY-TELEVISION CHANNEL
3.1. Making exclusive programming from popular programmes
3.1.1. Programmes and subscriptions: consumer surplus and monopoly
3.1.2. Films as a cornerstone: vertical integration
3.1.3. Football rights
3.2. Other programmes and the Peculiarities of Scheduling
3.2.1. Minorities and own programming
3.2.2. The special case of non-encrypted programming
3.2.3. Repetition and multiplexing techniques
4. THE RELATIONSHIP WITH THE AUDIENCE
4.1. The commercial relationship: promotion or looking for subscribers
4.1.1. The investment in advertising
4.1.2. Sales promotion activities
4.2. The relationship with the subscriber
4.2.1. Creating the necessary infrastructure to establish a relationship
4.2.2. Avoiding churning and recuperation activities
Some conclusions. The pay television channel as a transition model to the multichannel offer.
Bibliography
Programming and direct viewer payment for television. The case of Canal Plus Spain. [texte imprimé] / Monica Herrero, Auteur . - Pamplona (Carretera del Sadar s/n, 31080) : Universidad de Navarra, 2003 . - 117 p. ; 21,5 cm. - (Media markets monographs; 4) .
ISSN : 1695-310X : 25,-€
Langues : Anglais
Catégories : EUROPE
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : médias aspect économique Europe droit européen Canal+ télévision sport publicité financement Index. décimale : 791.45 Télévision (Loisir) Résumé : "The implementation of new technologies, the inminent establishment of the digital era and the proliferation of different systems of distribution have greatly altered the economics of commercial television. The introduction of direct viewer payment has also changed the concept of television as a public good. This work analyses the implications of direct viewer payment in the programming and the relationship with the audience.
The study of the implications of direct viewer payment on the programming offer reveals the nature of the products by which people are eager to pay for: popular programming such as films and sport events. Thus, the television schedule of a pay television channel consists of exclusive programming, general programmes as commercial television ones and minority programmes.
The relationship with the audience demands the distinction between potential subscribers and subscribers. The introduction of direct payment modifies both relationships. With the potential subscribers, the pay television channel starts new forms of promotion in the television market, such as sales promotion. Regarding subscribers, the contractual relationship opens a new environment of commercial relations addressed to the satisfaction with the product."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : Table of contents
I - INTRODUCTION AND CONCEPTS
1.1. The broadcasting commodity
1.1.1. The immaterial character of the broadcasting commodity
1.1.2. The broadcasting commodity as a public good
1.1.3. The broadcasting commodity and its dimensions of content, form and logic
1.2. The relationship with the audience
1.2.1. Interpersonal relationship and commercial relationship
1.2.2. Direct payment, contract and subscription
2. ESSENTIALS OF DIRECT PAYMENT FOR TELEVISION
2.1. Pay television versus paying for television
2.1.1. The funding of public service broadcasting
2.1.2. The funding of commercial television
2.1.3. Duplication of contents
2.2. The pay-television channel: economic features
2.2.1. Are television products still public goods?
2.2.2. Subscription, adhesion and freedom
3. THE PROGRAMMING OF A PAY-TELEVISION CHANNEL
3.1. Making exclusive programming from popular programmes
3.1.1. Programmes and subscriptions: consumer surplus and monopoly
3.1.2. Films as a cornerstone: vertical integration
3.1.3. Football rights
3.2. Other programmes and the Peculiarities of Scheduling
3.2.1. Minorities and own programming
3.2.2. The special case of non-encrypted programming
3.2.3. Repetition and multiplexing techniques
4. THE RELATIONSHIP WITH THE AUDIENCE
4.1. The commercial relationship: promotion or looking for subscribers
4.1.1. The investment in advertising
4.1.2. Sales promotion activities
4.2. The relationship with the subscriber
4.2.1. Creating the necessary infrastructure to establish a relationship
4.2.2. Avoiding churning and recuperation activities
Some conclusions. The pay television channel as a transition model to the multichannel offer.
Bibliography
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Titre : European television production. Pluralism and concentration. Type de document : texte imprimé Auteurs : Mercedes Medina, Auteur Editeur : Pamplona : Universidad de Navarra Année de publication : 2004 Collection : Media markets monographs num. 5 Importance : 158 p. Format : 21,5 cm Prix : 25,-€ Langues : Anglais Catégories : EUROPE
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : Europe télévision pluralisme aspect économique concentration Index. décimale : 791.45 Télévision (Loisir) Résumé : "Pluralism and cultural diversity are basic values of public communication. The European Commision understands that the objectives of content regulations must ensure that they safeguard freedom of expression, pluralism, cultural and linguistic diversity, and consumer protection in general and especially for children.
The research hypothesis of this book can be summed up as follows: in order to guarantee pluralism in the audiovisual field it is also necessary to look at the producers of television programming at prime time and the vertical integration between the producers of those programmes and the television channels or companies that broadcast them.
European countries have adopted the EC regulations in favour of pluralism and diversity. In this sense, each country establishes measures to hinder market concentration and positions of dominance. Hence, the final aim will be to analyse whether ownership independence from production is enough to guarantee pluralism and to avoid dominant market power.
In the European television market, it is necessary to pay attention to the crucial role that public channels play in the audiovisual market. In this research we want to verify, among other things, if the existence of public television has really contributed to the development of independent production and to pluralism in Europe."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : Table of contents :
I - INTRODUCTION
1.1. Hypothesis
1.2. Literature review
1.3. Methodology
II - REGULATION FRAMEWORK
2.1. Definition of independent producer
2.2. Independent production quotas
2.3. Audiovisual Authorities
2.4. Conclusions
3 - EUROPEAN PRODUCTION MARKET
3.1. Audience share of leading channels
3.2. Independent production in the European channels
3.3. Ownership of European producers and television channels
3.4. Independent producers and vertical integration
4. Prime time programming and production
4.1. PRODUCERS OF PUBLIC AND PRIVATE CHANNELS
4.2. General trends in public and private programme supply
4.3. Production of fiction
4.4. Some conclusions
5. SUMMARY FINDINGS
5.1. Conclusions
5.2. Discussion
5.3. Proposals
European television production. Pluralism and concentration. [texte imprimé] / Mercedes Medina, Auteur . - Pamplona (Carretera del Sadar s/n, 31080) : Universidad de Navarra, 2004 . - 158 p. ; 21,5 cm. - (Media markets monographs; 5) .
25,-€
Langues : Anglais
Catégories : EUROPE
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : Europe télévision pluralisme aspect économique concentration Index. décimale : 791.45 Télévision (Loisir) Résumé : "Pluralism and cultural diversity are basic values of public communication. The European Commision understands that the objectives of content regulations must ensure that they safeguard freedom of expression, pluralism, cultural and linguistic diversity, and consumer protection in general and especially for children.
The research hypothesis of this book can be summed up as follows: in order to guarantee pluralism in the audiovisual field it is also necessary to look at the producers of television programming at prime time and the vertical integration between the producers of those programmes and the television channels or companies that broadcast them.
European countries have adopted the EC regulations in favour of pluralism and diversity. In this sense, each country establishes measures to hinder market concentration and positions of dominance. Hence, the final aim will be to analyse whether ownership independence from production is enough to guarantee pluralism and to avoid dominant market power.
In the European television market, it is necessary to pay attention to the crucial role that public channels play in the audiovisual market. In this research we want to verify, among other things, if the existence of public television has really contributed to the development of independent production and to pluralism in Europe."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : Table of contents :
I - INTRODUCTION
1.1. Hypothesis
1.2. Literature review
1.3. Methodology
II - REGULATION FRAMEWORK
2.1. Definition of independent producer
2.2. Independent production quotas
2.3. Audiovisual Authorities
2.4. Conclusions
3 - EUROPEAN PRODUCTION MARKET
3.1. Audience share of leading channels
3.2. Independent production in the European channels
3.3. Ownership of European producers and television channels
3.4. Independent producers and vertical integration
4. Prime time programming and production
4.1. PRODUCERS OF PUBLIC AND PRIVATE CHANNELS
4.2. General trends in public and private programme supply
4.3. Production of fiction
4.4. Some conclusions
5. SUMMARY FINDINGS
5.1. Conclusions
5.2. Discussion
5.3. Proposals
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Code-barres Cote Support Localisation Section Disponibilité 1003058 4 MED EUR Livre Bibliothèque Documentaires Disponible
Titre : The Europe-Hollywood coopetition : cooperation and competition in the global film industry Type de document : texte imprimé Auteurs : Alejandro Pardo, Auteur Editeur : Pamplona : Universidad de Navarra Année de publication : 2007 Collection : Media markets monographs num. 8 Importance : 136 p. Format : 21,5 cm ISBN/ISSN/EAN : 978-84-8081-050-0 Prix : 25,-€ Note générale : "Alejandro Pardo is Chair of the Department of Film, TV & Digital Media and Professor of Production for Film & TV and Audiovisual Projects Management at the School of Communication (University of Navarra, Spain)."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Langues : Anglais Catégories : EUROPE
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : Europe cinéma aspect économique Etats-Unis concurrence coopération Index. décimale : 791.45 Télévision (Loisir) Résumé : "The relationship between Europe and Hollywood has been one of ‘love’ and ‘hate’. Nowadays, thanks to the effects of globalization on the film production process it has become a ‘marriage of convenience’. In fact, this peculiar romance is sustained by paradoxical strategies of cooperation and competition —especially in the case of Europe.
This book identifies these two series of cooperative and competitive strategies developed by Hollywood and the European film industries during the last decade, and attempts to figure out whether it could be considered a case of ‘coopetition’, as it is understood by the business management theory. Distribution partnerships, financial co-productions, runaway productions, European ‘blockbusters’, European public and private financial initiatives and the promotion of national or local cinema are just some of the tactics explored in these pages.
Far from being balanced, these relationships between Europe and Hollywood are asymmetrically evolving on a global scenario, adopting new forms under the cooperation-competition dynamic. The quid of the question, of course, is to determine up to what point this ‘marriage of convenience’ is really based on mutual reciprocity or if it could be described more like a kind of ‘sleeping with the enemy’ situation."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : Table of contents :
1.HISTORICAL BACKGROUND
2.FACE TO FACE : COMPARATIVE ANALYSIS BY SECTOR
2.1. Production
2.2. Distribution
2.3. Exhibition
3. FACTORS TO EXPLAIN HOLLYWOOD'S SUPREMACY
3.1. Hollywood’s Competitive Advantages
3.2. Europe’s Weaknesses
4. COOPETITION : THEORETICAL FRAMEWORK
4.1. Film Studies Approach
4.2. Geographical-Organizational Approach
4.3. Business Management Approach
4.4. Hollywood and Europe as Global Rivals
4.5. Hypotheses and Methodology
5. STRATEGIES OF COOPERATION
5.1. Distribution Partnerships
5.2. Financial Co-Productions
5.3. Exchange of Talent and Creativity (Remakes)
5.4. Runaway Productions and Foreign Service Production
6. STRATEGIES OF COMPETITION
6.1. European ‘Blockbusters’
6.2. European English-Language Films
6.3. Emulating Hollywood: Sequels, Franchising, Comic Adaptations and Company Branding
6.4. Pan-European Public and Private Financial Initiatives
6.5. Pan-European Distribution Attempts
6.6. Promoting National / Local Cinema
CONCLUSIONS AND DISCUSSION
The Europe-Hollywood coopetition : cooperation and competition in the global film industry [texte imprimé] / Alejandro Pardo, Auteur . - Pamplona (Carretera del Sadar s/n, 31080) : Universidad de Navarra, 2007 . - 136 p. ; 21,5 cm. - (Media markets monographs; 8) .
ISBN : 978-84-8081-050-0 : 25,-€
"Alejandro Pardo is Chair of the Department of Film, TV & Digital Media and Professor of Production for Film & TV and Audiovisual Projects Management at the School of Communication (University of Navarra, Spain)."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Langues : Anglais
Catégories : EUROPE
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : Europe cinéma aspect économique Etats-Unis concurrence coopération Index. décimale : 791.45 Télévision (Loisir) Résumé : "The relationship between Europe and Hollywood has been one of ‘love’ and ‘hate’. Nowadays, thanks to the effects of globalization on the film production process it has become a ‘marriage of convenience’. In fact, this peculiar romance is sustained by paradoxical strategies of cooperation and competition —especially in the case of Europe.
This book identifies these two series of cooperative and competitive strategies developed by Hollywood and the European film industries during the last decade, and attempts to figure out whether it could be considered a case of ‘coopetition’, as it is understood by the business management theory. Distribution partnerships, financial co-productions, runaway productions, European ‘blockbusters’, European public and private financial initiatives and the promotion of national or local cinema are just some of the tactics explored in these pages.
Far from being balanced, these relationships between Europe and Hollywood are asymmetrically evolving on a global scenario, adopting new forms under the cooperation-competition dynamic. The quid of the question, of course, is to determine up to what point this ‘marriage of convenience’ is really based on mutual reciprocity or if it could be described more like a kind of ‘sleeping with the enemy’ situation."
Source : http://mediamarkets.wordpress.com/media-markets-monographs - Consulté le 11/10/2011
Note de contenu : Table of contents :
1.HISTORICAL BACKGROUND
2.FACE TO FACE : COMPARATIVE ANALYSIS BY SECTOR
2.1. Production
2.2. Distribution
2.3. Exhibition
3. FACTORS TO EXPLAIN HOLLYWOOD'S SUPREMACY
3.1. Hollywood’s Competitive Advantages
3.2. Europe’s Weaknesses
4. COOPETITION : THEORETICAL FRAMEWORK
4.1. Film Studies Approach
4.2. Geographical-Organizational Approach
4.3. Business Management Approach
4.4. Hollywood and Europe as Global Rivals
4.5. Hypotheses and Methodology
5. STRATEGIES OF COOPERATION
5.1. Distribution Partnerships
5.2. Financial Co-Productions
5.3. Exchange of Talent and Creativity (Remakes)
5.4. Runaway Productions and Foreign Service Production
6. STRATEGIES OF COMPETITION
6.1. European ‘Blockbusters’
6.2. European English-Language Films
6.3. Emulating Hollywood: Sequels, Franchising, Comic Adaptations and Company Branding
6.4. Pan-European Public and Private Financial Initiatives
6.5. Pan-European Distribution Attempts
6.6. Promoting National / Local Cinema
CONCLUSIONS AND DISCUSSION
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Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité 1003059 4 PAR EUR Livre Bibliothèque Documentaires Disponible
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