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Broadcasting and its distribution in Flanders, Denmark and the United States : an explorative and future-oriented analysis : A research report for SBS Belgium / Karen Donders
Titre : Broadcasting and its distribution in Flanders, Denmark and the United States : an explorative and future-oriented analysis : A research report for SBS Belgium Type de document : texte imprimé Auteurs : Karen Donders, Auteur ; Tom Evens, Auteur Editeur : IBBT - Universiteit Gent Année de publication : 2010 Autre Editeur : Brussel : IBBT-SMIT Importance : 106 p. Format : 29,5 cm Note générale : en collaboration avec MICT (research group for Media and ICT)/ Ghent Langues : Français Catégories : MEDIAS:AUDIOVISUEL: TELEVISION
MEDIAS:HISTOIRE DES MEDIASTags : télécommunications télévision Flandre Danemark Etats-Unis concurrence droit d'auteur histoire des médias distributeurs internet rapport Index. décimale : 621.388 Télévision (télécommunication) Note de contenu : CONTENTS / MAIN TOPICS :
List with figures
List with tables
Executive summary
1. Introduction
1.1 Context
1.2 Research questions
1.3 Research objectives
1.4 Outline of the report
1.5 Methode
1.6 Relevance of the study
2. Context and theoretical building blocks
2.1 From television 1.0 to television 3.0
2.2 Model for value chain analysis
2.3 The PMI-model of evaluation
3. Flanders
3.1 History, policy environment and legal contaxt
3.2 Selected stakeholders and their roles
3.3 Relations and financing modela
3.4 Provisional conclusions
4. Denmark
4.1 History, policy environment and legal context
4.2 Selected stakeholders and roles
4.3 Relations and financing models
4.4 Provisional conclusions
5. United States
5.1 History, policy environment and legal context
5.2 Selected stakeholders and roles
5.3 Relations and financing models
5.4 Provisional conclusions
6. Comparison and evaluation
6.1 Main resemblances and differences
6.2 Advantages, disadvantages and interesting aspects of broadcasting and its distribution in Flanders, Denmark and the United States
7. Conclusions and recommendations
7.1 Conclusions
7.2 Action points for policy
7.3 Action points for sector stakeholders
7.4 Action points for academic research
5.5 What is the way forward ?
Reference listBroadcasting and its distribution in Flanders, Denmark and the United States : an explorative and future-oriented analysis : A research report for SBS Belgium [texte imprimé] / Karen Donders, Auteur ; Tom Evens, Auteur . - [S.l.] : IBBT - Universiteit Gent : Brussel (Vrije Universiteit Brussel, Pleinlaan 9 2nd Floor, 1050) : IBBT-SMIT, 2010 . - 106 p. ; 29,5 cm.
en collaboration avec MICT (research group for Media and ICT)/ Ghent
Langues : Français
Catégories : MEDIAS:AUDIOVISUEL: TELEVISION
MEDIAS:HISTOIRE DES MEDIASTags : télécommunications télévision Flandre Danemark Etats-Unis concurrence droit d'auteur histoire des médias distributeurs internet rapport Index. décimale : 621.388 Télévision (télécommunication) Note de contenu : CONTENTS / MAIN TOPICS :
List with figures
List with tables
Executive summary
1. Introduction
1.1 Context
1.2 Research questions
1.3 Research objectives
1.4 Outline of the report
1.5 Methode
1.6 Relevance of the study
2. Context and theoretical building blocks
2.1 From television 1.0 to television 3.0
2.2 Model for value chain analysis
2.3 The PMI-model of evaluation
3. Flanders
3.1 History, policy environment and legal contaxt
3.2 Selected stakeholders and their roles
3.3 Relations and financing modela
3.4 Provisional conclusions
4. Denmark
4.1 History, policy environment and legal context
4.2 Selected stakeholders and roles
4.3 Relations and financing models
4.4 Provisional conclusions
5. United States
5.1 History, policy environment and legal context
5.2 Selected stakeholders and roles
5.3 Relations and financing models
5.4 Provisional conclusions
6. Comparison and evaluation
6.1 Main resemblances and differences
6.2 Advantages, disadvantages and interesting aspects of broadcasting and its distribution in Flanders, Denmark and the United States
7. Conclusions and recommendations
7.1 Conclusions
7.2 Action points for policy
7.3 Action points for sector stakeholders
7.4 Action points for academic research
5.5 What is the way forward ?
Reference listRéservation
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Code-barres Cote Support Localisation Section Disponibilité 1002595 7 IBB BRO Livre Bibliothèque Documentaires Disponible 1002618 7 IBB BRO Livre Bibliothèque Documentaires Disponible
Titre : Platform power and policy in transforming television markets Type de document : texte imprimé Auteurs : Tom Evens, Auteur ; Karen Donders, Auteur Editeur : RG21 6XS Basingstoke [Grande-Bretagne] : Palgrave MacMillan Année de publication : 2018 Collection : Palgrave Global Media Policy and Business Importance : 304 p Format : 21.5 cm ISBN/ISSN/EAN : 978-3-319-74246-5 Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL
MEDIAS:AUDIOVISUEL:NUMERIQUETags : plateforme politique mondialisation aspect socio-culturel télévision régulation Index. décimale : 302.234 Cinéma, radio, télévision (média) Résumé : "This book seeks to investigate ‘platform power’ in the multi-platform era and unravels the evolution of power structures in the TV industry as a result of platformisation. Multiple TV platforms and modes of distribution are competing–not necessarily in a zero-sum game–to control the market. In the volume, the contributors work to extend established ‘platform theory’ to the TV industry, which has become increasingly organised as a platform economy. The book helps to understand how platform power arises in the industry, how it destabilises international relations, and how it is used in the global media value chain. Platform Power and Policy in Transforming Television Markets contributes to the growing field of media industry studies, and draws on scholarly work in communication, political economy and public policy whilst providing a deeper insight into the transformation of the TV industry from an economic, political and consumer level. Avoiding a merely legal analysis from a technology-driven perspective, the book provides a critical analysis of the dominant modes of power within the evolving structures of the global TV value chain. "
Source : https://www.palgrave.com/gp/book/9783319742458 (consulté le 23/11/2018)En ligne : https://www.palgrave.com/gp/book/9783319742458 Platform power and policy in transforming television markets [texte imprimé] / Tom Evens, Auteur ; Karen Donders, Auteur . - RG21 6XS Basingstoke (Houndmills, Hampshire, Grande-Bretagne) : Palgrave MacMillan, 2018 . - 304 p ; 21.5 cm. - (Palgrave Global Media Policy and Business) .
ISBN : 978-3-319-74246-5
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL
MEDIAS:AUDIOVISUEL:NUMERIQUETags : plateforme politique mondialisation aspect socio-culturel télévision régulation Index. décimale : 302.234 Cinéma, radio, télévision (média) Résumé : "This book seeks to investigate ‘platform power’ in the multi-platform era and unravels the evolution of power structures in the TV industry as a result of platformisation. Multiple TV platforms and modes of distribution are competing–not necessarily in a zero-sum game–to control the market. In the volume, the contributors work to extend established ‘platform theory’ to the TV industry, which has become increasingly organised as a platform economy. The book helps to understand how platform power arises in the industry, how it destabilises international relations, and how it is used in the global media value chain. Platform Power and Policy in Transforming Television Markets contributes to the growing field of media industry studies, and draws on scholarly work in communication, political economy and public policy whilst providing a deeper insight into the transformation of the TV industry from an economic, political and consumer level. Avoiding a merely legal analysis from a technology-driven perspective, the book provides a critical analysis of the dominant modes of power within the evolving structures of the global TV value chain. "
Source : https://www.palgrave.com/gp/book/9783319742458 (consulté le 23/11/2018)En ligne : https://www.palgrave.com/gp/book/9783319742458 Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1003982 6 EVE PLA Livre Bibliothèque Documentaires Disponible Policing the Platforms / Tom Evens
Titre : Policing the Platforms Type de document : texte imprimé Auteurs : Tom Evens, Auteur Editeur : RG21 6XS Basingstoke [Grande-Bretagne] : Palgrave MacMillan Année de publication : 2018 Collection : Palgrave Global Media Policy and Business Importance : 201-242 p Langues : Anglais Tags : régulation plateforme Policing the Platforms [texte imprimé] / Tom Evens, Auteur . - RG21 6XS Basingstoke (Houndmills, Hampshire, Grande-Bretagne) : Palgrave MacMillan, 2018 . - 201-242 p. - (Palgrave Global Media Policy and Business) .
Langues : Anglais
Tags : régulation plateforme Power play in television: a political economy analysis of power balances in broadcasting markets / Tom Evens
Titre : Power play in television: a political economy analysis of power balances in broadcasting markets Type de document : document électronique Auteurs : Tom Evens, Auteur ; Lieven De Marez, Directeur de thèse ; Pieter Ballon, Directeur de thèse Editeur : Gent [Belgïe] : Universiteit Gent Année de publication : 2013 Importance : 303 p. Note générale : Proefschrift ingediend tot het behalen van de graad van Doctor in de Communicatiewetenschappen (Academiejaar 2013 - 2014) Langues : Français Catégories : AUTRES:Mémoires de fin d'études, thèses, rapports de stage, ...
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : audiovisuel télévision aspect économique concurrence câblodistributeur opérateurs distributeurs convergence Index. décimale : 791.45 - Télévision (Loisir) Résumé : Résumé proposé par l'éditeur ( Source : http://hdl.handle.net/1854/LU-4216519 / Consulté le 28/03/2014) :
"In this dissertation, the focus is on the (evolving) configurations of power and control in broadcaster-to-distributor markets. Technological developments, as well as changes in the institutional framework, are in the process of fundamentally transforming legacy TV business models and have transferred power to ‘gatekeepers’ which derive a dominant position by controlling competitive bottlenecks. Since technology shocks might disrupt established power relationships in television, interactions between TV broadcasters and distributors incur tensions and conflicts of interests. It is argued that each party controls crucial platform resources and that the broadcaster-to-distributor market is organized around two converging TV platforms that unfold enveloping strategies and thus provoke power conflicts. One of the major assumptions of this dissertation is the mutual dependency between broadcasters and distributors, which leads to the conclusion that the market is marked by bilateral bargaining power, and needs to deal with double-marginalisation problems. Although both parties may have bargaining power, relationships between broadcasters and distributors are often characterised by power asymmetries, either in favour of the broadcaster or distributor. In the ever-increasing complex TV ecosystem, broadcasters as well as distributors are looking for outside opportunities to lessen dependence on their counterparty, and build strategic advantage during carriage negotiations. However, pricing power usually remains with the distributors, which eventually decide about the possible carriage and the package (basic or upgraded), and the position of the channel in that package (or in the electronic programming guide). A gatekeeping position allows distributors to pressure broadcasters to demand lower wholesale (input) prices. On top, distributors leverage bargaining power through the ownership of affiliated channels that directly compete access-seeking broadcasters. In a similar vein, owners of premium rights or must-have channels leverage their popularity and exclusivity in order to bargain higher retransmission payments from distributors. Whereas existing frameworks hold that competitive advantage essentially rests on the activities a firm performs within the value chain, it is claimed here that a firm’s position in the value chain does not adequately explain why different firms with similar activities have different levels of bargaining power. Rather than sticking to hollow aphorisms like ‘Content is King, but Distribution is King Kong’, it is assumed that the allocation of power between broadcasters and distributors crucially depends on the politico-economic context of broadcasting and its distribution, including the set of complex relationships between different parties in the business ecosystem. Since bargaining power in the broadcaster-to-distributor market tends to be context-specific and varies between different local settings, it is determined by the allocation of scarce resources in the industry, the individual nature of the broadcaster-to-distributor relationship and potential path dependencies in media and telecommunication policies. Hence, the major research objective is to study the interactions between broadcasters and distributors, and identify, in a qualitative way, those contextual variables that define bargaining power in broadcaster-to-distributor relationships. Although Porter’s model is still relevant for analysing the industry environment, the complexity of broadcasting and distribution markets and the speciality of carriage negotiations demands for a more specific framework to examine relationships and power conflicts between broadcasters and distribution. Following a resource-centric perspective, the ownership and control of strategic assets are considered determinants of bargaining power. Based on a literature review and interviews with 36 media managers and experts, it was possible to come up with a multidimensional and multilevel approach to bargaining power and to construct a complex of interrelated power attributes (clustered in five dimensions) that influence a firm’s competitive position in carriage negotiations. On the macro level, a number of legal provisions and regulatory requirements strongly affect the carriage negotiations. Reference is made to telecommunications rules, competition law, media-specific regulation and copyright law. On the meso level, the model suggests that the market structure forms an important factor in the creation of bargaining power. Industry concentration, number of business partners, entry barriers and the threat of technological progress are identified as critical parameters. On the micro level, the structure of the negotiating firms needs to be taken into account to assess bargaining power. Hence, firm-specific characteristics of broadcasters and distributors involved in a carriage negotiation include relative firm size, conglomerateness, vertical integration and financial resilience. Next to firm characteristics, emphasis is put on product differentiation as a source of a bargaining power. Product characteristics are related to the market and industry structure, and predominantly refer to product differentiation, exclusivity, bundling and switching costs. On the individual level, psychological, emotional and interpersonal issues play a decisive role in carriage negotiations."Note de contenu : Principaux chapitres :
1) Introducing the problem: power conflicts in broadcaster-to-distributor markets
2) Research orientation: development of a multi-paradigmatic approach
3) Power and control: value configuration and inter-firm relationships
4) Research design: approach, methods and data collection
5) Collection of papers: structure, organisation and summary
6) Access to premium content on mobile television platforms: the case of mobile sports
7) Watching the football game : broadcasting rights for the European digital television market
8) The struggle for platform leadership in the European sports broadcasting market
9) The political economy of retransmission payments and cable rights: implications for private television companies
10) Broadcast market structures and retransmission payments: a European perspective 11) Bargaining power in broadcaster-to-distributor markets
Conclusion
ReferencesEn ligne : https://biblio.ugent.be/record/4216519 Format de la ressource électronique : https://biblio.ugent.be/input/download?func=downloadFile&recordOId=4216519&fileOId=4336906 Power play in television: a political economy analysis of power balances in broadcasting markets [document électronique] / Tom Evens, Auteur ; Lieven De Marez, Directeur de thèse ; Pieter Ballon, Directeur de thèse . - Gent (Sint-Pietersnieuwstraat 25, 9000, Belgïe) : Universiteit Gent, 2013 . - 303 p.
Proefschrift ingediend tot het behalen van de graad van Doctor in de Communicatiewetenschappen (Academiejaar 2013 - 2014)
Langues : Français
Catégories : AUTRES:Mémoires de fin d'études, thèses, rapports de stage, ...
MEDIAS:AUDIOVISUEL: TELEVISION: Aspect économiqueTags : audiovisuel télévision aspect économique concurrence câblodistributeur opérateurs distributeurs convergence Index. décimale : 791.45 - Télévision (Loisir) Résumé : Résumé proposé par l'éditeur ( Source : http://hdl.handle.net/1854/LU-4216519 / Consulté le 28/03/2014) :
"In this dissertation, the focus is on the (evolving) configurations of power and control in broadcaster-to-distributor markets. Technological developments, as well as changes in the institutional framework, are in the process of fundamentally transforming legacy TV business models and have transferred power to ‘gatekeepers’ which derive a dominant position by controlling competitive bottlenecks. Since technology shocks might disrupt established power relationships in television, interactions between TV broadcasters and distributors incur tensions and conflicts of interests. It is argued that each party controls crucial platform resources and that the broadcaster-to-distributor market is organized around two converging TV platforms that unfold enveloping strategies and thus provoke power conflicts. One of the major assumptions of this dissertation is the mutual dependency between broadcasters and distributors, which leads to the conclusion that the market is marked by bilateral bargaining power, and needs to deal with double-marginalisation problems. Although both parties may have bargaining power, relationships between broadcasters and distributors are often characterised by power asymmetries, either in favour of the broadcaster or distributor. In the ever-increasing complex TV ecosystem, broadcasters as well as distributors are looking for outside opportunities to lessen dependence on their counterparty, and build strategic advantage during carriage negotiations. However, pricing power usually remains with the distributors, which eventually decide about the possible carriage and the package (basic or upgraded), and the position of the channel in that package (or in the electronic programming guide). A gatekeeping position allows distributors to pressure broadcasters to demand lower wholesale (input) prices. On top, distributors leverage bargaining power through the ownership of affiliated channels that directly compete access-seeking broadcasters. In a similar vein, owners of premium rights or must-have channels leverage their popularity and exclusivity in order to bargain higher retransmission payments from distributors. Whereas existing frameworks hold that competitive advantage essentially rests on the activities a firm performs within the value chain, it is claimed here that a firm’s position in the value chain does not adequately explain why different firms with similar activities have different levels of bargaining power. Rather than sticking to hollow aphorisms like ‘Content is King, but Distribution is King Kong’, it is assumed that the allocation of power between broadcasters and distributors crucially depends on the politico-economic context of broadcasting and its distribution, including the set of complex relationships between different parties in the business ecosystem. Since bargaining power in the broadcaster-to-distributor market tends to be context-specific and varies between different local settings, it is determined by the allocation of scarce resources in the industry, the individual nature of the broadcaster-to-distributor relationship and potential path dependencies in media and telecommunication policies. Hence, the major research objective is to study the interactions between broadcasters and distributors, and identify, in a qualitative way, those contextual variables that define bargaining power in broadcaster-to-distributor relationships. Although Porter’s model is still relevant for analysing the industry environment, the complexity of broadcasting and distribution markets and the speciality of carriage negotiations demands for a more specific framework to examine relationships and power conflicts between broadcasters and distribution. Following a resource-centric perspective, the ownership and control of strategic assets are considered determinants of bargaining power. Based on a literature review and interviews with 36 media managers and experts, it was possible to come up with a multidimensional and multilevel approach to bargaining power and to construct a complex of interrelated power attributes (clustered in five dimensions) that influence a firm’s competitive position in carriage negotiations. On the macro level, a number of legal provisions and regulatory requirements strongly affect the carriage negotiations. Reference is made to telecommunications rules, competition law, media-specific regulation and copyright law. On the meso level, the model suggests that the market structure forms an important factor in the creation of bargaining power. Industry concentration, number of business partners, entry barriers and the threat of technological progress are identified as critical parameters. On the micro level, the structure of the negotiating firms needs to be taken into account to assess bargaining power. Hence, firm-specific characteristics of broadcasters and distributors involved in a carriage negotiation include relative firm size, conglomerateness, vertical integration and financial resilience. Next to firm characteristics, emphasis is put on product differentiation as a source of a bargaining power. Product characteristics are related to the market and industry structure, and predominantly refer to product differentiation, exclusivity, bundling and switching costs. On the individual level, psychological, emotional and interpersonal issues play a decisive role in carriage negotiations."Note de contenu : Principaux chapitres :
1) Introducing the problem: power conflicts in broadcaster-to-distributor markets
2) Research orientation: development of a multi-paradigmatic approach
3) Power and control: value configuration and inter-firm relationships
4) Research design: approach, methods and data collection
5) Collection of papers: structure, organisation and summary
6) Access to premium content on mobile television platforms: the case of mobile sports
7) Watching the football game : broadcasting rights for the European digital television market
8) The struggle for platform leadership in the European sports broadcasting market
9) The political economy of retransmission payments and cable rights: implications for private television companies
10) Broadcast market structures and retransmission payments: a European perspective 11) Bargaining power in broadcaster-to-distributor markets
Conclusion
ReferencesEn ligne : https://biblio.ugent.be/record/4216519 Format de la ressource électronique : https://biblio.ugent.be/input/download?func=downloadFile&recordOId=4216519&fileOId=4336906 Sustaining local audiovisual ecosystems : Analysis of financing and production of domestic TV fiction in small media markets / Tim Raats in Journal of popular television, 4 -1 ([02/01/2016])
[article]
Titre : Sustaining local audiovisual ecosystems : Analysis of financing and production of domestic TV fiction in small media markets Type de document : document électronique Auteurs : Tim Raats, Auteur ; Tom Evens, Auteur ; Sanne Ruelens, Auteur Année de publication : 2016 Article en page(s) : pp. 129-147 Langues : Anglais Tags : médias de masse recherche télévision aspect socio-culturel documentaire fiction financement séries Flandres Résumé : "Various trends, both technological and economic in nature, have led to a shift in the financing and production of serial television fiction (principally television drama and episodic comedy), resulting in pressure on existing financing of TV fiction. These pressures prove especially difficult for small nations and regions, being characterized by restricted markets, a limited number of active players, and barriers for export and scale. For media policy-makers, these transitions invoke a series of new challenges to sustain existing audio-visual ecosystems. Based on a case study of TV fiction in Flanders, and presenting evidence from a financial analysis of 46 TV fiction productions, this article analyses current financing streams, patterns and dynamics of TV fiction in small media markets. It seeks to reveal the composition of budgets and the relative importance of diverse agents and funders involved in TV fiction production. Critical evaluations are then offered as to whether current financing models and policy support mechanisms are fit to tackle the challenges posed by the increasing number of windows and increased fragmentation of TV fiction financing. "
Source : https://www.intellectbooks.com/journal-of-popular-television (consulté le 7/5/2019)En ligne : https://www.intellectbooks.com/journal-of-popular-television
in Journal of popular television > 4 -1 [02/01/2016] . - pp. 129-147[article] Sustaining local audiovisual ecosystems : Analysis of financing and production of domestic TV fiction in small media markets [document électronique] / Tim Raats, Auteur ; Tom Evens, Auteur ; Sanne Ruelens, Auteur . - 2016 . - pp. 129-147.
Langues : Anglais
in Journal of popular television > 4 -1 [02/01/2016] . - pp. 129-147
Tags : médias de masse recherche télévision aspect socio-culturel documentaire fiction financement séries Flandres Résumé : "Various trends, both technological and economic in nature, have led to a shift in the financing and production of serial television fiction (principally television drama and episodic comedy), resulting in pressure on existing financing of TV fiction. These pressures prove especially difficult for small nations and regions, being characterized by restricted markets, a limited number of active players, and barriers for export and scale. For media policy-makers, these transitions invoke a series of new challenges to sustain existing audio-visual ecosystems. Based on a case study of TV fiction in Flanders, and presenting evidence from a financial analysis of 46 TV fiction productions, this article analyses current financing streams, patterns and dynamics of TV fiction in small media markets. It seeks to reveal the composition of budgets and the relative importance of diverse agents and funders involved in TV fiction production. Critical evaluations are then offered as to whether current financing models and policy support mechanisms are fit to tackle the challenges posed by the increasing number of windows and increased fragmentation of TV fiction financing. "
Source : https://www.intellectbooks.com/journal-of-popular-television (consulté le 7/5/2019)En ligne : https://www.intellectbooks.com/journal-of-popular-television Permalink