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621.388 : Télévision (télécommunication) |
621.31 Énergie électriqueOuvrages de la bibliothèque en indexation 621.388
Faire une suggestion Affiner la recherche2014 (CEE) - Juin 2014 - Central and Eastern Europe Special Issue (Bulletin de Digital TV Europe - Cable & Satellite Europe for a new era) / Stuart Thomson
Titre : 2014 (CEE) - Juin 2014 - Central and Eastern Europe Special Issue Type de document : document électronique Auteurs : Stuart Thomson, Directeur de publication, rédacteur en chef Année de publication : 2014 Importance : 28 p. Note générale : Numéro spécial (annuel) Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL: TELEVISION:TV numérique
PERIODIQUESTags : télévision Russie Tchéquie Estonie Croatie Slovénie Serbie Belarus Latvie Hongrie Montenegro Kosovo Bosnie Bulgarie Pologne Ukraine Moldavie Roumanie Macédoine à la demande piratage législation opérateurs télécommunications numérique statistiques audience télévision connectée étude de marché Index. décimale : 621.388 Télévision (télécommunication) Résumé : Présentation de l'éditeur :
"In our annual special issue looking at developments in digital TV in central and eastern Europe, we provide an overview of the overall market, summarising recent events and assessing prospects for growth.
We also address the remarkable growth of OTT services across the region, particularly in Russia and Poland, assessing the business models, distribution channels and content strategies of the main players.
Also in Digital TV Europe CEE 2014, we assess the continued relevance of satellite distribution of pay TV services in the region and look at the evolution of the strategy of pay TV channel providers across the various countries in the region.
Our special issue comes ahead of next week’s Digital TV CEE 2014 conference in Budapest – which offers three days of in-depth presentations and debate about OTT, pay TV and content distribution across the region"
Source : http://dtve.msgfocus.com/q/12EhZHXejgwZiEL61JjXdzmL/wv (Consulté le 24/07/2014)En ligne : http://media2.telecoms.com/e-books/DTVE/magazine/cee14/ [n° ou bulletin] 2014 (CEE) - Juin 2014 - Central and Eastern Europe Special Issue [document électronique] / Stuart Thomson, Directeur de publication, rédacteur en chef . - 2014 . - 28 p.
Numéro spécial (annuel)
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL: TELEVISION:TV numérique
PERIODIQUESTags : télévision Russie Tchéquie Estonie Croatie Slovénie Serbie Belarus Latvie Hongrie Montenegro Kosovo Bosnie Bulgarie Pologne Ukraine Moldavie Roumanie Macédoine à la demande piratage législation opérateurs télécommunications numérique statistiques audience télévision connectée étude de marché Index. décimale : 621.388 Télévision (télécommunication) Résumé : Présentation de l'éditeur :
"In our annual special issue looking at developments in digital TV in central and eastern Europe, we provide an overview of the overall market, summarising recent events and assessing prospects for growth.
We also address the remarkable growth of OTT services across the region, particularly in Russia and Poland, assessing the business models, distribution channels and content strategies of the main players.
Also in Digital TV Europe CEE 2014, we assess the continued relevance of satellite distribution of pay TV services in the region and look at the evolution of the strategy of pay TV channel providers across the various countries in the region.
Our special issue comes ahead of next week’s Digital TV CEE 2014 conference in Budapest – which offers three days of in-depth presentations and debate about OTT, pay TV and content distribution across the region"
Source : http://dtve.msgfocus.com/q/12EhZHXejgwZiEL61JjXdzmL/wv (Consulté le 24/07/2014)En ligne : http://media2.telecoms.com/e-books/DTVE/magazine/cee14/
Titre : 2014 (Multiscreen) - July 2014 - Multiscreen & OTT series Type de document : document électronique Auteurs : Stuart Thomson, Directeur de publication, rédacteur en chef Année de publication : 2014 Importance : 10 p. Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL: TELEVISION
PERIODIQUESTags : TV connectée OTT internet mobile écran partagé application Index. décimale : 621.388 Télévision (télécommunication) En ligne : http://www.digitaltveurope.net/category/multiscreen-ott-series/ [n° ou bulletin] 2014 (Multiscreen) - July 2014 - Multiscreen & OTT series [document électronique] / Stuart Thomson, Directeur de publication, rédacteur en chef . - 2014 . - 10 p.
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL: TELEVISION
PERIODIQUESTags : TV connectée OTT internet mobile écran partagé application Index. décimale : 621.388 Télévision (télécommunication) En ligne : http://www.digitaltveurope.net/category/multiscreen-ott-series/
Titre : 2014 (WHITE PAPER) - July 2014 - Interactive TV Monetisation: The Big Picture Type de document : document électronique Auteurs : Stuart Thomson, Directeur de publication, rédacteur en chef Année de publication : 2014 Importance : 14 p. Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL: TELEVISION:TV numérique
PERIODIQUESTags : télévision numérique interactivité opérateurs à la demande financement aspect économique Index. décimale : 621.388 Télévision (télécommunication) Résumé : Présentation par l'éditeur :
"With traditional pay TV growth leveling off and consumers becoming less willing than previously to spend additional subscription revenue year-on-year for their existing service offerings, pay TV operators are seeking new ways of making money, primarily from digital activities. However, many offerings launched in recent years that fall under the broad category of ‘interactive services’ have been provided for free and there is a large question mark over whether digital can ever compensate for the slow attrition of traditional service revenues or even provide a meaningful path to growth.
How to make money from interactive services – and which services have the potential to deliver a decent return on investment – are key questions facing service providers as they seek to cater to their subscribers’ demands for more flexible ways of consuming video. With the traditional mainstay of pay TV operators – the linear channel – facing a number of longer-term challenges, it is crucial to make the right choices now.
DTVE recently surveyed over 100 interactive video industry players from 42 countries, of whom 7.7% identified themselves as cable operators, 11.5% as triple or quad-play operators, 6.7% as IPTV service providers, 2.9% as DTH operators, 17.3% as OTT service providers, 2.9% as pay TV channel operators and 14.4% as free-to-air broadcasters."
Source : http://www.digitaltveurope.net/199322/interactive-tv-monetisation-the-big-picture/ (Consulté le 25/07/2014)
En ligne : http://www.digitaltveurope.net/199322/interactive-tv-monetisation-the-big-pictur [...] [n° ou bulletin] 2014 (WHITE PAPER) - July 2014 - Interactive TV Monetisation: The Big Picture [document électronique] / Stuart Thomson, Directeur de publication, rédacteur en chef . - 2014 . - 14 p.
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL: TELEVISION:TV numérique
PERIODIQUESTags : télévision numérique interactivité opérateurs à la demande financement aspect économique Index. décimale : 621.388 Télévision (télécommunication) Résumé : Présentation par l'éditeur :
"With traditional pay TV growth leveling off and consumers becoming less willing than previously to spend additional subscription revenue year-on-year for their existing service offerings, pay TV operators are seeking new ways of making money, primarily from digital activities. However, many offerings launched in recent years that fall under the broad category of ‘interactive services’ have been provided for free and there is a large question mark over whether digital can ever compensate for the slow attrition of traditional service revenues or even provide a meaningful path to growth.
How to make money from interactive services – and which services have the potential to deliver a decent return on investment – are key questions facing service providers as they seek to cater to their subscribers’ demands for more flexible ways of consuming video. With the traditional mainstay of pay TV operators – the linear channel – facing a number of longer-term challenges, it is crucial to make the right choices now.
DTVE recently surveyed over 100 interactive video industry players from 42 countries, of whom 7.7% identified themselves as cable operators, 11.5% as triple or quad-play operators, 6.7% as IPTV service providers, 2.9% as DTH operators, 17.3% as OTT service providers, 2.9% as pay TV channel operators and 14.4% as free-to-air broadcasters."
Source : http://www.digitaltveurope.net/199322/interactive-tv-monetisation-the-big-picture/ (Consulté le 25/07/2014)
En ligne : http://www.digitaltveurope.net/199322/interactive-tv-monetisation-the-big-pictur [...]
Titre : 31-32 - July 2008 - June 2009 - Technological and audiovisual convergence Type de document : texte imprimé Auteurs : Santiago Ramentol, Editeur scientifique Année de publication : 2009 Langues : Anglais Catégories : MEDIAS:AUDIOVISUEL: TELEVISION:Télécommunications Tags : audiovisuel convergence aspect technique contenu télévision enfant publicité placement de produit mobile numérique internet télécommunications Espagne Index. décimale : 621.388 Télévision (télécommunication) Note de contenu : INTRODUCTION
MONOGRAPHIC : TECHNOLOGICAL AND AUDIOVISUAL CONVERGENCE
The two main processes of technological convergence - Javier Echeverria
Overcoming Babel: social mediation and intelligent systems in discovering, filtering, accrediting and personalising digital content - Enric Plaza
Technological convergence: a state of the art on the issue -
Josep Ramon Ferrer
La convergencia tecnológica: un estado de la cuestión -
Josep Ramon Ferrer
Future trends in audiovisuals - Joan Majó
The challenges of digital convergence for television - Emili Prado
Integrating media within interactive discourse: the case of cultural disseminatio - J. Ignasi Ribas
Mobile Web 2.0. The new mobile communication industry - Hugo Pardo; Joel Brandt ; Juan Pablo Puerta
Convergence and general audiovisual legislation in Spain - Ángel García Castillejo
Content convergence - Pere Vila
The convergence of newsrooms in the era of the open garden -
David Sancha
The polyvalent journalist within the framework of business convergence - Pere Masip; Josep Lluís Micó
Media convergence and the battle for the audience - Genís Roca
Comparing online risks faced by European children: Reflections on youthful internet use in Britain, Germany and Spain -
Sonia Livingstone; Uwe Hasebrink; Carmelo Garitaonandia; Maialen Garmendia
Myth, digitalism and technological convergence: hegemonic discourses and political economics - Núria Almiron; Josep Manuel Jarque
OBSERVATORI :
The emergence of new imagery in quality television fiction -
Anna Tous
Television fiction on TV3 and Catalan cultural identity:case study of the situation comedy Plats bruts - Luisa Martínez García
Analysis of information sources and respect for professional ethics in crisis situations: the media treatment of Barcelona's Carmel case - Carles Pont
The effectiveness of product placement on children: an experiment - José Fernández Cavia; Assumpció Huertas; Mònika Jiménez
Analysis of comprehension by deaf pupils of captioned television documents and criteria for improvement - Cristina Cambra; Núria Silvestre; Aurora Leal
AGENDA
En ligne : http://www.cac.cat/web/recerca/quaderns/hemeroteca/detall.jsp?NDg%3D&Mw%3D%3D&Jy [...] [n° ou bulletin] 31-32 - July 2008 - June 2009 - Technological and audiovisual convergence [texte imprimé] / Santiago Ramentol, Editeur scientifique . - 2009.
Langues : Anglais
Catégories : MEDIAS:AUDIOVISUEL: TELEVISION:Télécommunications Tags : audiovisuel convergence aspect technique contenu télévision enfant publicité placement de produit mobile numérique internet télécommunications Espagne Index. décimale : 621.388 Télévision (télécommunication) Note de contenu : INTRODUCTION
MONOGRAPHIC : TECHNOLOGICAL AND AUDIOVISUAL CONVERGENCE
The two main processes of technological convergence - Javier Echeverria
Overcoming Babel: social mediation and intelligent systems in discovering, filtering, accrediting and personalising digital content - Enric Plaza
Technological convergence: a state of the art on the issue -
Josep Ramon Ferrer
La convergencia tecnológica: un estado de la cuestión -
Josep Ramon Ferrer
Future trends in audiovisuals - Joan Majó
The challenges of digital convergence for television - Emili Prado
Integrating media within interactive discourse: the case of cultural disseminatio - J. Ignasi Ribas
Mobile Web 2.0. The new mobile communication industry - Hugo Pardo; Joel Brandt ; Juan Pablo Puerta
Convergence and general audiovisual legislation in Spain - Ángel García Castillejo
Content convergence - Pere Vila
The convergence of newsrooms in the era of the open garden -
David Sancha
The polyvalent journalist within the framework of business convergence - Pere Masip; Josep Lluís Micó
Media convergence and the battle for the audience - Genís Roca
Comparing online risks faced by European children: Reflections on youthful internet use in Britain, Germany and Spain -
Sonia Livingstone; Uwe Hasebrink; Carmelo Garitaonandia; Maialen Garmendia
Myth, digitalism and technological convergence: hegemonic discourses and political economics - Núria Almiron; Josep Manuel Jarque
OBSERVATORI :
The emergence of new imagery in quality television fiction -
Anna Tous
Television fiction on TV3 and Catalan cultural identity:case study of the situation comedy Plats bruts - Luisa Martínez García
Analysis of information sources and respect for professional ethics in crisis situations: the media treatment of Barcelona's Carmel case - Carles Pont
The effectiveness of product placement on children: an experiment - José Fernández Cavia; Assumpció Huertas; Mònika Jiménez
Analysis of comprehension by deaf pupils of captioned television documents and criteria for improvement - Cristina Cambra; Núria Silvestre; Aurora Leal
AGENDA
En ligne : http://www.cac.cat/web/recerca/quaderns/hemeroteca/detall.jsp?NDg%3D&Mw%3D%3D&Jy [...] Réservation
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Exemplaires
Code-barres Cote Support Localisation Section Disponibilité P-001638 PER QUA Périodique Internet Documentaires Disponible Access to TV platforms : must-carry rules, and access to free-DTT / Observatoire Européen de l'Audiovisuel (Strasbourg, France)
Titre : Access to TV platforms : must-carry rules, and access to free-DTT Type de document : document électronique Auteurs : Observatoire Européen de l'Audiovisuel (Strasbourg, France) Editeur : Strasbourg [France] : Observatoire Européen de l'Audiovisuel Année de publication : 2015 Autre Editeur : Strasbourg [France] : Conseil de l'Europe Importance : 204 p Note générale : European Audiovisual Observatory for the European Commission
- DG COMMLangues : Anglais Catégories : DROIT : Droit européen
EUROPE
MEDIAS:AUDIOVISUELTags : Europe audiovisuel TNT must-carry télécommunications accessibilité consommateur législation directive opérateurs distributeurs plateforme régulation Index. décimale : 621.388 Télévision (télécommunication) Résumé : Executive Summary / Key Findings :
• Must-carry regimes with the aim of ensuring public access to particular content for linear audiovisual services continue to exist throughout Europe
• For the most part the content that should be carried concerns that of public service broadcasters but in several countries the concept of content of special interest or public interest broadens the must-carry beyond the public broadcaster
• In several countries, the legacy free to air commercial broadcasters may also be included as must-carry. A range of other types of channels including local, community, regional channels may also be designated must-carry
• There are some exceptional cases where the public channels of neighbouring countries, or international cultural or news channels may also be must-carry
• The traditional approach of the focus of must-carry on cable networks has certainly changed with most countries adapting to the Universal Services Directive requirement that such rules focus on platforms with a “significant number of end users using the service as their main means of accessing television broadcasts”
• Must-carry remains contentious due to the obligations placed on distributors and the issues of cost which may affect the distributor and/or the broadcaster and this is apparent in the continuing legal battles over these regimes, such as the on-going dispute between German public broadcasters and cable operators
• There are also several examples of where must-carry rules have not been implemented as the public content tends to be desirable content without which the distributors would not attract subscribers
• Other access issues such as must-offer (the corollary of must-carry) and must-find or must-see also exist to a lesser extent. In this context many regulators al-ready refer to the issue of prominence of content in the on-demand world.
However, this area of regulation is not well developed
• The content available over free DTT networks (which are universal in terms of technical access and free to the citizen) also represents an opportunity to provide access for the public to specific types of content and ensure that publicly
funded content is available to all. The significance of DTT as a distribution platform also varies widely throughout Europe
• There are very few countries where must-carry rules apply in the DTT environment. Regarding public service content this is for the most part due to the direct allocation of multiplexes to the PSBs or the requirement that the operators allocate space to the PSBs
• The access of channels to free DTT platforms generally follow two types of regulatory strategy – either the regulator driven “beauty contest” or the multiplex operator “gate-keeper” approach
• Regarding the possibilities for foreign (licensed in a different jurisdiction) channels to find space on a national free DTT platform, these vary across Europe with many countries requiring that all channels on free DTT have national licences
• There are however, several examples of foreign channels and of international channels on the free DTT networks in other countries
• The potential for channels to be added to a national free DTT network is influenced by a wide variety of additional factors aside from must-carry, or licensing regimes including:
- The capacity of the networks which may either be well developed, mature and hence completely full, or under-developed (due to economic reasons) and hence lacking in space
- The cost to the channel for transmission on the platform
(page 9 du document)
Note de contenu : Table des Matières Abrégée :
Introduction and context of study
Executive Summary
1 - Must-carry
2 - Digital Terrestrial Television
Recent legal developments
Country Reports
3 - AL - ALBANIA
4 - AT – AUSTRIA
5 – BA – BOSNIA HERZEGOVINA
6 – BE – BELGIUM
7 – BG – BULGARIA
8 - CH – SWITZERLAND
9 - CY – CYPRUS
10 - CZ – CZECH REPUBLIC
11 - DE – GERMANY
12 – DK – DENMARK
13 - EE – ESTONIA
14 - ES – SPAIN
15 – FI – FINLAND
16 – FR – France
17 – GB – UNITED KINGDOM
18 – GR – GREECE
19 – HR – CROATIA
20 – HU – HUNGARY
21 – IE – IRELAND
22 – IS – ISLAND
23 – IT – ITALY
24 – LT – LITHUANIA
25 - LU – Luxembourg
26 – LV - LATVIA
27 - MT – MALTA
28 - NL – NETHERLANDS
29 - NO – NORWAY
30 – PL – POLAND
31 – PT – Portugal
32 - RO – ROMANIA
33 - RS – REPUBLIC OF SERBIA
34 – SE – SWEDEN
35 – SI – SLOVENIA
36 - SK – SLOVAK REPUBLIC
References/ Sources
Sources: Executive summary/ analysis
Sources: Country profiles
Le texte de la directive "Service Universel" est disponible à l'adresse suivante :
http://eur-lex.europa.eu/legal-content/FR/TXT/?uri=URISERV%3Al24108hEn ligne : http://www.obs.coe.int/documents/205595/264629/Must+Carry+Report+(Dec.+2015)/bb2 [...] Access to TV platforms : must-carry rules, and access to free-DTT [document électronique] / Observatoire Européen de l'Audiovisuel (Strasbourg, France)
European Audiovisual Observatory for the European Commission
- DG COMM
Langues : Anglais
Catégories : DROIT : Droit européen
EUROPE
MEDIAS:AUDIOVISUELTags : Europe audiovisuel TNT must-carry télécommunications accessibilité consommateur législation directive opérateurs distributeurs plateforme régulation Index. décimale : 621.388 Télévision (télécommunication) Résumé : Executive Summary / Key Findings :
• Must-carry regimes with the aim of ensuring public access to particular content for linear audiovisual services continue to exist throughout Europe
• For the most part the content that should be carried concerns that of public service broadcasters but in several countries the concept of content of special interest or public interest broadens the must-carry beyond the public broadcaster
• In several countries, the legacy free to air commercial broadcasters may also be included as must-carry. A range of other types of channels including local, community, regional channels may also be designated must-carry
• There are some exceptional cases where the public channels of neighbouring countries, or international cultural or news channels may also be must-carry
• The traditional approach of the focus of must-carry on cable networks has certainly changed with most countries adapting to the Universal Services Directive requirement that such rules focus on platforms with a “significant number of end users using the service as their main means of accessing television broadcasts”
• Must-carry remains contentious due to the obligations placed on distributors and the issues of cost which may affect the distributor and/or the broadcaster and this is apparent in the continuing legal battles over these regimes, such as the on-going dispute between German public broadcasters and cable operators
• There are also several examples of where must-carry rules have not been implemented as the public content tends to be desirable content without which the distributors would not attract subscribers
• Other access issues such as must-offer (the corollary of must-carry) and must-find or must-see also exist to a lesser extent. In this context many regulators al-ready refer to the issue of prominence of content in the on-demand world.
However, this area of regulation is not well developed
• The content available over free DTT networks (which are universal in terms of technical access and free to the citizen) also represents an opportunity to provide access for the public to specific types of content and ensure that publicly
funded content is available to all. The significance of DTT as a distribution platform also varies widely throughout Europe
• There are very few countries where must-carry rules apply in the DTT environment. Regarding public service content this is for the most part due to the direct allocation of multiplexes to the PSBs or the requirement that the operators allocate space to the PSBs
• The access of channels to free DTT platforms generally follow two types of regulatory strategy – either the regulator driven “beauty contest” or the multiplex operator “gate-keeper” approach
• Regarding the possibilities for foreign (licensed in a different jurisdiction) channels to find space on a national free DTT platform, these vary across Europe with many countries requiring that all channels on free DTT have national licences
• There are however, several examples of foreign channels and of international channels on the free DTT networks in other countries
• The potential for channels to be added to a national free DTT network is influenced by a wide variety of additional factors aside from must-carry, or licensing regimes including:
- The capacity of the networks which may either be well developed, mature and hence completely full, or under-developed (due to economic reasons) and hence lacking in space
- The cost to the channel for transmission on the platform
(page 9 du document)
Note de contenu : Table des Matières Abrégée :
Introduction and context of study
Executive Summary
1 - Must-carry
2 - Digital Terrestrial Television
Recent legal developments
Country Reports
3 - AL - ALBANIA
4 - AT – AUSTRIA
5 – BA – BOSNIA HERZEGOVINA
6 – BE – BELGIUM
7 – BG – BULGARIA
8 - CH – SWITZERLAND
9 - CY – CYPRUS
10 - CZ – CZECH REPUBLIC
11 - DE – GERMANY
12 – DK – DENMARK
13 - EE – ESTONIA
14 - ES – SPAIN
15 – FI – FINLAND
16 – FR – France
17 – GB – UNITED KINGDOM
18 – GR – GREECE
19 – HR – CROATIA
20 – HU – HUNGARY
21 – IE – IRELAND
22 – IS – ISLAND
23 – IT – ITALY
24 – LT – LITHUANIA
25 - LU – Luxembourg
26 – LV - LATVIA
27 - MT – MALTA
28 - NL – NETHERLANDS
29 - NO – NORWAY
30 – PL – POLAND
31 – PT – Portugal
32 - RO – ROMANIA
33 - RS – REPUBLIC OF SERBIA
34 – SE – SWEDEN
35 – SI – SLOVENIA
36 - SK – SLOVAK REPUBLIC
References/ Sources
Sources: Executive summary/ analysis
Sources: Country profiles
Le texte de la directive "Service Universel" est disponible à l'adresse suivante :
http://eur-lex.europa.eu/legal-content/FR/TXT/?uri=URISERV%3Al24108hEn ligne : http://www.obs.coe.int/documents/205595/264629/Must+Carry+Report+(Dec.+2015)/bb2 [...] Les acteurs en Lice (dossier) in Les Nouveaux Dossiers de l'Audiovisuel (ex : Les Dossiers de l'Audiovisuel), 11 (Juillet-Août 2006)
PermalinkBroadcasting and its distribution in Flanders, Denmark and the United States : an explorative and future-oriented analysis : A research report for SBS Belgium / Karen Donders
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